Anti-police violence, this theme deserves a star.
Other places have nothing to do with the shock of the chainsaw, it is completely revenge. It can be regarded as a weakened version of "Law Abiding Citizen". Borrowing the shell of "Chain Saw", in his bones it is still a revenge film that revenges the society and the accusation system. Although the old man is also for revenge, he respects the rules of the game very much, and he is absolutely clear between public and private. He will never increase the difficulty of the game because the opponent has private enmity with himself. The mechanism he designed gives the opponent a chance to survive, and the difficulty of the game is all Let the other person experience the "suffering of flesh and blood": Whether it is a broken leg or hand or an eye gouging, it will be disabled, but it will never be fatal.
Spiral is different, he just rushed to kill him. It's nothing more than pulling the tongue and fingers, and letting the female police officer sever the cervical spine, even if the other party obeys the rules, it is easy to die suddenly because of the spinal cord injury.
It is also a killing game. The theme of Chainsaw Horror is atonement and salvation. Atonement must have a price, but it will definitely give a way to life. But SPIRAL didn't intend to redeem it at the beginning, but rushed to avenge and kill. From the motive, it violated the original intention of the chainsaw door. If jigsaw is to let you pass the Super Mario with one life-it is difficult or difficult, but many people can do it, then spiral is to let you pass the Super Mario with a perverted cat-theoretically it does exist, but the probability is about zero. What.
Like him, who doesn't obey the old man's rules of the game and kills innocent people without leaving a way to survive, the disciples who are still alive in the chainsaw door should stand up and clear the door.
other problems:
The editing has serious mistakes, the trap music is seriously inconsistent, and there are too many irrelevant side plots and characters.
From "First Blood 5", I vaguely feel that something is wrong. Why do the films of the past few years have to design the scene as a KTV box?
Are the lighting engineers in the global film industry a collective uprising? How about a collective strike in the movie?
The teacher taught color to serve the narrative of a movie, so have you really used the frame as a paint bucket?
Yes, it is very cool, but this kind of coolness is the same as mv, one is that it is not necessary, and the other is that it can't stand scrutiny in some prescribed situations. Does your police station install neon lights?
If you really want to make the lights in the movie colorful, then you can simply design the story in the entertainment venue from the beginning.
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