I feel that Indian movies are very good at telling good stories, especially for the exploration of feelings, especially the description of love. However, it is a failure to use this point in the spy war movie.
First of all, the reality is logically unreasonable. The whole film is like a child playing house, which does not conform to the logic of reality at all. Sending reports at the Brigadier General’s house, even putting an antenna on the roof, and installing a bug in the General’s house, really made the audience fools. The Brigadier General’s house is in a military control zone and the management and monitoring are strictly controlled. In practice, these practices are tantamount to taking the initiative to seek death. The various methods of the heroine are too naive.
Any spy network is a single-line connection. This is the most fundamental guarantee for intelligence work. The heroine can actually communicate with India through multiple channels. The arrest of a coachman is enough to expose the hostess, not to mention the arrest of the owner of the flower shop and the grocery store.
The biggest flaw is that no matter which country, there is a strict management and custody system for documents. In the movie, it is impossible to get military documents at home or even put them on the table arbitrarily.
In short, the various operations in the film are almost impossible in reality. Just watch a literary film, and ignore these loopholes.
But the biggest problem with this film is to talk about human nature and feelings.
On the battlefield, talking about emotions and human nature is tantamount to looking for death. Working behind enemy lines is several times more dangerous than on the battlefield. Only with cold emotions, calm thinking, and prudence close to zero negligence can we survive.
Therefore, the most attractive part of the spy war movie is its treacherous and thrilling, and almost ruthless coldness.
If such a film is placed in the Chinese market, it will undoubtedly attract a lot of laughter. Think about it, dreaming in "Latent" is dangerous. Such a rigorous setting is inferior to the reality of spy warfare, not to mention the facts of this film. This kind of plot has long gone against the basic setting of spy war films.
However, such an illogical movie actually ranks among the top five in India at the box office. Indian audiences prefer to talk about feelings and personal spiritual feelings, which is really a market.
In spy war movies, I never forget to express my emotions at will. I have to label my spiritual world with a noble and humanistic label, and I have to reflect on it. This is equivalent to being cruel in my heart before shooting on the battlefield. Struggle: To kill or not to kill, this is a question worth considering...
However, don't forget that in Indian movies, there is usually a halo possessed by the male protagonist. When a crowd picks out criminals and kills a number of people, then the director does not want to think that the life of the bad guy is also the life.
Therefore, Indian movies are most special, especially lyrical, and especially artistic. This is not only expressed in singing and dancing, but more importantly, they are especially expressing their own feelings. Asan, what you live is your inner feelings, and what you want is lyrical.
When most movies are put on such a coat, the entire Indian people care more about spiritual experience.
However, they forget that survival requires more tenacity than emotion. The character of the nation should be more rational than perceptual.
What kind of movie is produced in any country, and what kind of movie there is, there will be a group of movie viewers. Asan, who is too emotional, is of course more casual.
The rise of any nation has to go through the baptism of blood and fire, and the national character has had a fortitude and coldness. The spy war film just reflects this, but the Indian film failed. A nation that is too emotional and romantic will not rise, just as it is impossible for a lover to survive in shopping malls and battlefields.
In the future, let's watch Indian family and romance movies. After all, it is also an ancient country, and the parents' shortcomings are still the same as ours.
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