The plot line has a strong grasp of the rhythm and does not procrastinate.
The Soviet astronaut came back from the sky, and ended up with one death and one wound (later the director told you that in fact both were alive), and brought down an alien parasitic beast.
Parasitic beasts came out to eat people at night, only their brains, and did not dispose of the corpse. They were bound to be exposed and sent to the research institute. This is the beginning of the story.
The director of the research institute found that the parasitic beast has a very strong self-healing ability. As long as there is a trace of blood, it can fill itself up (with its own fanatic armor). In addition, the movement speed and attack power are also good, and it also has good growth. The potential is great and promising, so I want to develop the alien parasitic beast into a weapon.
But this parasitic beast has a fatal weakness, that is, he feeds on fear and only eats human brains.
The male protagonist who knows the truth pretended to be dumb, "I just want to go home!"
Finally, under the influence of the heroine, the hero finally mustered up the courage and sent the monster away. This is the end of the story
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A few controversies about this film, briefly explain:
1) Why did the male protagonist choose to commit suicide after seeing the caravan in the ending?
Because the monster will come out to eat people at night, no matter where the male lead goes, he will eventually be sent to an alien research institute or laboratory. On the team, waiting for him will only be the next research institute. Moreover, the male doctor informed the police before he died, and the committee already knew that the director fed the prisoners to the parasitic beasts. According to the female protagonist’s medical judgment, the male protagonist and the parasitic beast had been in symbiosis and could not be relieved. The male protagonist finally mustered up the courage to send the monster away.
2) Is the mistress the Virgin? Did the soldiers in the institute die unjustly?
Soldiers regard obedience as their bounden duty, and all actions are subject to command. The director should be responsible for their death, not the heroine.
In this film, the heroine did not perform very unusually. Sending the male lead out is to separate and save the male lead. Staying in the research institute can't do separation, because what the director wants is a weapon. It doesn't matter whether you can separate. The important thing is to control the parasitic beast and obtain the weapon. The male protagonist can die, and the parasitic beast must live. And the heroine said that sooner or later the parasitic beast will break out of its cocoon and become a butterfly, so the hero is in danger.
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