Long shots of overlapping histories in the same space at different times have become a spectacle of form, expressing time in space, expressing space in time, about the setting of the film itself and time. People in recent times can talk to the old French man. The protagonist after the camera in modern Europe is the whole process of modern Russia. The protagonist has always been faceless (Suzhou Creek) with a flexible subjective perspective (Suzhou River) (In the comments, I don’t understand if I don’t understand it, I don’t understand anything else). A love letter to the Russian nation in the European era. Russia is one A big ship drifts and bumps on the sea. It can only keep moving forward. I don’t know the end. I don’t know the way back. The spirit of the beginning monologue and suspense passes through the spectacle. It’s not just that. The friendship between a French old man and the old man’s stay at the last dance party: goodbye to Europe, no more history is like no more childhood friends, classical culture and history, the sentimental interlacing of time and space is not only in the characters The era represented by every space in the Hermitage is also to collide with historical figures passing by
The more expelled in modern times is precisely the crisis of the last tsar’s rule.
The Queen of Katerina ran in the snow for the unification of Russia in Europe. After the fire, Alexander I walked through the diplomatic ceremonies where the prince of Persia came to see him.
The girl in the palace chases romantic remembrance like a bird
The last big show is the last dance party before the fall of the empire. The camera completes the final elegant carnival with aristocratic music and dance. Where is the Russian nation going?
The end of the ball is also the end of history and the farewell of the European era, but the tragic nobles in history still cannot hear the death knell that is about to ring in the future.
The song of history The ocean of history is destined to wander the Russian Ark with closed eyes
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