Death is no longer fearful in front of love. I will hold a candy convention after I die. The throbbing heart saw that he had been cheated. He was not a purely literary romance at all. He was a film that faced death. When he watched it, he suddenly remembered Shi Tiesheng's inexplicable, and he also remembered a friend surnamed Wang. I found that if this movie only revolves around death, love, family relations and self-salvation, it can be made as a film, and it can also be made with great depth and meaning. But Gus Van Sant added another line, which is also a line of death and love. The lonely soul of Bo Shi moved me to my heart. The last letter made me cry, as if a little character was arranged in the movie and one loomed. I feel that the story will be more layered. The common theme will be more impactful, and death in front of love will no longer make people fearful. Cape No. 7 also has two lines. The main line is not as good as the secondary line. The secondary line is the same as the throbbing heart. It is also a memory type. The seven letters are directly enshrined, and the two lines complement each other and push to the climax. The last letter is restrained. I don't like the light film, but I learned Cape No.7, the back is very white, restraint. The strange encounter at the beginning meets the mutual redemption at the end, and the use of the illness is comparable to that of Earl and the dying girl. The prologue paragraph (days) ends with the recall and fades out.
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