At the beginning of the story, I thought it was a cartoon.
Then, when I saw the costume of a super killer girl, I thought it was a World War II movie.
By the way, the bandage wrapped around the super-slaughter girl’s arm is a decoration. In the later stage, the super-slaughter girl can get rid of the restraint anytime and anywhere. This arm is the same as a normal arm.
Think about it, the finger can be used as a super killer, and what to do with a bandage.
However, after the Super Killer got on the plane, she kept emphasizing, never open that box, and feel a little bit of science fiction.
But later, the "elves" appeared immediately, and this was the rhythm that began to go to the horror film routine again.
However, this is actually a spy film that angers Brother Tom.
Picking up the plane with his bare hands, Brother Atang still promoted it as a matter, watching someone super kill a girl, and doing it quietly, his arm was just a bandage that was just removed.
In the end, the box was opened, and it turned out to be a child.
The style of the story began to transform again, and in the end, it was a complete feminist film.
In the story, the super-slaughter girl slapped all the male guests. In the early stage, the male guests had many mouths unobstructed, but in the later stage, there were more slaps in the face.
In order to balance the logic of the story, the super-killing female inherited the roaring emperor and learned the skills of roaring. All impossible, triggered by the roaring skill, seemed to have an explanation.
In the end, the super-killer tore off her sleeves aggressively, recreating that Stallone or Old Wa dared to go shirtless, and tore the elves with her hands.
I went and saw a group of male guests dumbfounded.
It's not over yet, after tearing up the elves, the super-killing girl staged a public breastfeeding if nothing had happened. This subtext is ready to come out.
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