I like it very much, five-point level, but leave a little room for improvement
The threshold for this cartoon is still quite high, because he basically didn't have time from the beginning, and he didn't have the patience to introduce Xiaobai to the audience who it was, who it was, and who was with whom. . . In the first episode, all the content and the rhythm of the story are acquiesced. The audience knows that Adam is Seaman, that Skeleton King is a big villain, that the parrot fairy guards Gray Shell, and understands every villain and every big figure in Itnia . . .
In other words, this is a movie for the core fans
However, I personally think that even for a discerning fan like me, this film can fully satisfy all my expectations for the follow-up of Seaman’s story.
Seaman and Searay are classics of childhood cartoons. When I was a child, most of the main features of cartoons were passion and science fiction. This kind of mashup style that combines magic and technology, similar to Seaman Shiri, is still relatively rare. It is precisely because of this scarcity that we ignore some small problems in the Schreichmann series of cartoons:
For example, the world view is blurred, why is the Skeleton King bad, and what symbol is Gray Shell?
The characterization is relatively non-dimensional, and even the character logic is a problem. Seaman and Adam are obviously the same, why many people can’t see it
The actions of the characters are the same, and the fights are basically nothing to watch. This is mainly because of cost considerations. The original Seaman, to be honest, is the promotional video of the toy.
Without this Seaman follow-up work by Netflix, I would have never found the classic Seaman animation before, with so many bugs.
Some people think that Seaman and Skeleton King in this film are two soy saucers. This is a huge flaw in cartoons. But I think this is where this series is quite ambitious
I won’t emphasize Seaman and Skeleton King anymore, or according to the new rhythm, it’s not time to talk about these two protagonists.
The five episodes of cartoons have spent a lot of time and energy to supplement the images and worldviews of the supporting actors in the classic animations. This is really awesome!
We know the whole Eternia’s worldview and the logic of energy flow (through the transformation of the Seaman Holy Sword). Then the question of why this world can allow magic and technology to exist side by side will be answered accordingly
We followed Tira into the Hall of Valor, and saw the Grey Shell King and their companions. The story of Grey Shell Castle was involved here. It was a rough review of the history of the Seaman world. (Here is a detail that makes people It is particularly felt that the King of Gray Shell specially emphasized that the heroic spirits entering the heaven can choose their own form, but Adam chose his ordinary form. In essence, he is still an elegant and modest gentleman)
What's even better is that, through the death of Seaman and the death of the Skeleton King, the main creator has the opportunity (or space) to shape the former supporting characters. So we have the opportunity to see a stubborn character, Duncan, a fatherly lover, a thoughtful elf, and an evil witch who has mixed feelings for the Skeleton King.
The supporting actor in the Skeleton King camp also turned to the original image of being vulnerable and became insidious and truly threatening. Three-eyed monsters and giant mouth monsters even learned to use religion to create influence. Beastmen turned into evil witches and had to lick dogs, while murlocs appeared as racial leaders. . .
All these refinements and improvements not only bring the completion of the original characters, but also a further three-dimensional view of the entire cartoon world.
With the final appearance of the insidious Skeleton King, we have reason to believe that the subsequent Netflix will give us a more perfect Eternian world.
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