The ghosts encountered by the hostess are just their own hysteria.
There is an old saying in China, don't do bad things, don't be afraid of ghosts knocking on the door.
In order to escape from the war-torn hometown, the hostess took the last refugee car and robbed a girl disguised as his own daughter. This despicable act was a classic re-enactment of the male number two of the Titanic. The girl’s mother had no children and could not get on the refugee car. In the end, it was estimated that the girl who was taken away by the hero and the heroine was naturally abandoned by the hero in the shipwreck and was buried in the sea.
The selfish hero and heroine killed innocent mothers and daughters for their own lives. This kind of moral condemnation made them have the illusion of haunting, and they wanted to use their deaths to make up for their mistakes.
Bad, but bad enough is not thorough enough, this is the source of their pain.
After some pretentious introspection, the male protagonist decided to commit suicide. Also after some pretentious inner struggle, the heroine decided to prevent the hero from committing suicide.
The way to stop it is to kill the ghost with a knife while riding a ghost out to eat people...
WTF...
I think this paragraph is really a touch of magic, and there are too many angles to interpret.
1. There is really a ghost, the heroine is incarnation of Constantine, a set of justice combination punches the ghost and the ghost is dead, and the hero also lives. Everyone bears the wishes of the deceased and wants to live happily. The problem is that if there are ghosts, why don't the ghosts seek revenge from the warlord. It turns out that ghosts are also afraid of Gatlin Bodhisattva.
2. It's not that there are ghosts, but the heroes and heroines have broken through the final bottom line of morality, and live without skin and skin. When I first came to bring British people, I still couldn’t blend in with my conscience and I wanted to go home. Now that I have done my mental construction, I can stay serious when I have no face and no skin. It is implying that I have no moral bottom line in bringing British people. Of it?
3. The director is not back, nor dared to deeply criticize the internal connection between the warlord and Taiying, nor to say that the refugees and blacks are untamable and murderous.
Of course, no matter from which point of view, I think this movie is really a bit bad... it is almost comparable to Guo Degang's movie.
View more about His House reviews
