The film was randomly selected. I didn’t watch the actors or the introduction, so I didn’t have any expectations at all. As a result, when I watched it, I was too involved and didn’t think about the plot at all. After watching it, I wiped away my tears and reacted: Oh, this seems to be. Soap opera oh goose... the story is nothing new, but it is detailed enough to drive emotions. There will be a slight reversal, but fat friends who read enough movies can basically guess blindly [for example, my mother’s live spoiler] does not count, and probably gives it 2 stars. Ran goose! It can also be seen that the acting skills of a few actors are really lacking. Even if it is such a slow and unremarkable large-scale soap opera, the filming of the giant invincible can be fascinating. The director's first half of the plot rhythm is very well controlled, and the emotions are slightly broken. But the precision, the soundtrack, and the hand-cranked photography add a bit of literary tones to this commercial film that it easily fooled my eyes...Of course! I had the patience to watch it at first because of Uncle Ba! I really support it! I can watch the scene of Uncle Ba in India repeatedly [very attractive]. Uncle Ba is the kind of film that is boring [Of course Uncle Ba does not seem to be boring] You will find it interesting because of him, and you will have the desire to continue to let it go. There are not many actors leading the film, so Uncle Cho is considered one. The actor of Big Boss is a bit like the protagonist of "Owen". The acting skills are very good, whether it is a father or an arrogant white wealthy businessman, the image is very vivid, a few actions and a few words can completely stand up the role, enough to see the actor's own skills and experience. In contrast, the wife is a little bit inferior [The script problem accounts for the majority, this role is nothing worth talking about] It's nothing but nothing; the daughter is very beautiful. Anyway, I’m going to give the actors 5 stars!!! You can’t control my wild spirit!
Finally, I still want to say. The standard for judging a country’s film and television industry is not based on how many films they have such as "Shawshank", "Farewell My Concubine" and "Avatar" [Of course this is also one of the criteria for judging]. The truly mature film and television industry should be reflected by such films. If the same script is placed in China, it would be a miracle to score 6 points, and I will not change this point of view even if it is set against actors of the same level. Chinese film and television are still really young and young. This is not something that can be changed in a single generation; I regret it, but everyone should realize that sometimes you can't blindly blame actors or scripts, sometimes the entire industry has problems. If one day, China can produce such films steadily
[This dragon really wakes up. 】
This means the maturation and standardization of the film and television industry chain. Movies are art, but movies also contain commerce. We have not been far behind in art, we are just a bunch of bad businessmen.
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