Blind rectification in blind rectification. It's all for nostalgia. The results are also disappointing. Because animation plus real people is very embarrassing. This visual rupture is an irreparable injury. Cats and mice are still cats and mice, but the line of real people is really pure and ordinary. It doesn't matter whether it is super-killing or not. This is another story line of the success of the bottom diaosi. This main line is also vaguely rounded in the end. The core stalk of the chain of contempt for this class actually extends to Tom more or less. It is an animated portrayal of the heroine. First hired, without wages, and then directly expelled. However, the line of the heroine is round, and Tom's is not round, and finally returns to a cat to catch a mouse and it is over. In other words, Tom wants to promote a class jump, and living with Jerry in a New York hotel is still useless. In the end, the dust returns to the dust, and the dirt returns to the earth. Muddy legs still go home to farm. With this ending arrangement, I can only say that the director did not treat us as human beings.
At the wildlife capture center, the shot of the drooping white dog wearing Hannibal's mask was very stunning, and it flashed past. It is the place where the whole film really pays attention to nostalgic stalks. The various characters that are exaggerated and illogical in the whole film are simple, crude and paper-like. Because the director is of color. All people of color in the film are politically correct. It's just that you are horizontal, does it matter that they are incorrect?
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