The creativity is not bad, but the rhythm is a bit strange.
There are also several loopholes.
First, according to the hopper returning to the cave again after a day, the posture of the people in the cave is almost unchanged. It can be known that the time flow difference between inside and outside the cave is much greater than 1s: 1d (you can take two steps in one second. The posture of the people in the cave has hardly changed); at the end of the film, Cara is rescued from the cave and then rescues her friends (here she changed her clothes, told her friends about the current situation, and looked at her with ease. It can be seen that she has been out for a long time), at most one or two seconds have passed in the cave, and this can also be demonstrated above. If you calculate the time based on the change in the position of the sun in the movie, the two seconds in the cave are almost equal to one year outside. In this case, it is unscientific for Cara to go out for 30 minutes in the middle of the film and two seconds have passed in the cave.
In addition, it can be seen from the future human beings go down to the cave to take samples of the Bu Lao Spring and use the Bu Lao Spring to save the protagonist group. It can be seen that the humans in the future will have a certain understanding of the Bu Lao Spring. Then I can't help but wonder, how can human beings resist investigating this kind of panacea if they know it? And from the future people that the protagonist meets, it can be seen that they have indeed explored, but does the cave appear to have been explored? Needless to say, the future human beings, a group of primitive people who don't even have decent tools, that is, contemporary people, just take some hot weapons or even cold weapons to subdue it? How could it be possible to find the treasure but remain indifferent?
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