The explicit indication of the ending tells us that the hero and the female are still within the scope of the so-called house, or the inner world made by the house.
Why is there such a seemingly unreasonable arrangement? Obviously the disappearance of the boys shows that they are in a normal world.
Perhaps it can only be explained by "the machine/house is teasing them", this sentence also appears when the male and female masters are desperately getting rid of the matryoshka. Perhaps the boy's death was just a deliberate act of the room.
The purpose is to let them stay in the big house without moving, and now directly create a world in the room to put the male and female protagonists in, which is efficient, safe and effective.
Is the room alive? What do you want in the room? My view is that the room is mechanical and unconscious, it runs with people's desires, and simply executes input and output commands.
As for the blackening of the boy, it seems to be a bug in the normal program. As the iteration increases, the boy’s personality tends to be more obvious. When the bug affects the normal program operation, the machine will naturally ``release'' it.
In the end, how many layers of babies were set by the boy. The movie did not explain it, but it may be a very clever structure. After all, the boy first thought of creating the world. This arrangement should be competent.
So on the other hand, how to understand the ending. After the heroine discovers that she still belongs to the inner world, she hides it from her husband. Maybe the wife can get pregnant normally while still enjoying the wishing behavior. Why not do it? What's more, things in the world can exist independently from the old house, just like the last scene, the small hotel on the roadside can still make a wish. So, if you just live in this dream, what's the point?
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