7.7
Pulling the camera is a way to immediately put the characters in a specific environment. The relatives who weeped goodbye turned their eyes to the bars and noticed a little strangeness. However, the most deceptive thing was the fake gallows. The suspense is to let the character not know what happened, and the audience knows that the carriage and train that cross the route create this effect. This is the scene scheduling. Comedy is a repetition mechanism, a closed loop consisting of knocking on the door and putting people on a hanger. The comical behavior has no logic. Putting them in crisis is the cause. The alternation of subjective and objective lenses allows us to empathize with characters. Many gazes on objects are shown, pendants, letters, clocks, lunches, baldness, and shadows.
Consumption frenzy, marriage expectation, labor conflicts, on the bus, in front of fast food restaurants, and in department stores, squeeze these low-level people to commute day and night to board and lodging. Lies about dignity are as thin as cicadas. His world is always on the verge of collapse, where he lives on cliffs, and the competition he participates in is all accidental. The inevitable existence is Thanos’s middle finger and thumb, which disappears at any time. The planned things are always changing. It only takes a pitiful moment to change from the person who arrives at the job first to the person who is late, lunch, police, marriage, acrobatics, and countless moments are in chaos and disorderly fluctuations. middle. Everything is full of modernity and worthy of irony. However, the trivial matters caused by these structural problems drive the completion of the legend. What he wants is a thousand yuan. What is the twelve-story building? He is willing to climb to heaven for five hundred yuan, with his heel hanging from the gate of heaven.
The drunk directly hooked up with the policeman holding the newspaper, and the policeman looked at a blank face and recalled Bill directly. It was a miracle. Who else could climb such a tall building? The former was just laughing without ink. I have talked to my friends countless times about structural death, suicide, or sudden death. There is no more insight into the truth of life without this film. You have to be with him. In the last twenty minutes, it is unmatched from that angle. Large depression angles, large elevation angles, and large perspectives, even with the addition of a net, a mouse, and a wall clock, are physiological spectacles. The boss sat at the window and smiled. The residents warned that the dog might fall. Every layer was repeated. Even if the events were different, Camus-like realism appeared. You still have to be calm in this kind of life. The timing of the ending is very remarkable. It happens to be the completion of the legend, not the consequences of the legend-even if the publicity is not effective, even if it is still an embarrassing life, who cares.
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