Mixed, quite mixed. Air combat, enclosed space, feminism, monsters, extramarital affairs, motherhood, rock music and many other elements are blended together in an incredible way. The story tells the story of the super-killer Chloe Moritz (24 years old at the time) as a high-ranking female pilot of World War II wearing a fur collar and leather jacket. She secretly boarded a British aircraft with a top-secret document and a mysterious box. bomber. On the plane, she could only stay in an extremely small belly turret cabin. The 42-minute duration of the film was completely completed in this enclosed space. Here she not only has to endure the contempt, molesting, and suspicion from a group of macho crews, but also against Japanese fighter jets and a bat monster of unknown origin. Just when I thought the whole movie would be completed with this kind of closed perspective (similar to "Buried Alive"), she actually climbed out of the turret cabin and staged the scene of climbing upside down a plane. Here, the camera lens adopts a 180-degree inverted expression mode, coupled with rock and roll electronic sound, the temperament of the whole film begins to become crazy. At the end of the film, the heroine in an extremely powerful posture, hand-to-hand tore up the bat monster who has been trying to steal the box. Every punch she punched was not only a slap in the face of this monster, but also a slap in the face of her husband who was domestically violent, and an angry counterattack against the injustice suffered by women in the era. The box contains the heroine's extra-marital BB.
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