It is said that this work is based on the existing TV version of the original painting, re-shot with 35cm film; the background will also be redrawn, and the number of shots has been greatly increased (unfortunately, I watched the gun disc, 555). Therefore, "Preface" and "Broken" are very valuable for publication as collections.
Anye is a very good director, his style is cold, I like it very much. EVA's calm and dazzling mechanical sense of the whole drama is its big selling point. The film contains classic shots of the NERV confinement room (people who are standing don't know they will sit in next time). Sadamoto's characteristic "Blood Setting Sun". As well as the famous Ayanami Smile-Transformation with Kurama and Hisoso bathing are known as the three wonders of the animation industry. If there are more people worshiping, you will become a god...= = I
don’t know if I grew up or something. This time I revisited a lot, and it was the first time I realized the heavy and invisible pressure in the film. I also understand another deep meaning of this film (especially it was shot by the Japanese with the highest rate of overwork). There are many things you have done, and pressure is your own responsibility, and you cannot evade it. The bondage that follows from birth may also be original sin. When I watched it seven years ago, I didn't have this understanding yet.
The professionalism of Japanese animation is admirable. The meticulous production, including the revolving direction of the walkman who only appeared in two or three shots, will not be wrong. I don’t know when China’s mainstream animation people (and their leaders) will not bully children’s incomplete IQ development and cheat money, but use their love to guide the creation of excellence; I don’t think they can compare to the little tadpoles looking for their mothers. Whether it’s anime, manga or anything else, as long as it is done well, it is an art. Art is learned and can have depth (although it is shameful to be an official... to educate children, I still dedicated myself to TT).
Apostle No. 6 (appeared in this article), No. 10 and No. 16 are my favorites (at least not like the brainless Ultraman monster), No. 6 and No. 16 (but Ayanami!!!) have higher IQs. The attack is very handsome; the tenth draws out the Ronginus gun, which sets off the zero machine is very handsome. As for the third apostle Xiaobai (appearing in this article) ~ it's pretty cute. But even the mass production machine, the disgusting image of piranha. This attack against No. 6 was the first time Ayanami said goodbye to Shinji.
Finally, relax a bit~ Ah, Ayanami Apartment... This is the posture that otaku dreamed of for many years. .
The deliberate excerpt of the dialogue in the "Preface" made me suddenly realize: It turns out that the base deliberately sent Ayanami to take the initiative to contact Ikura Shinji (on the one hand, in order to stabilize Shinji's heart to drive the EVA, on the other hand, they were originally 14 years ago in order to merge with each other. Was born planned), and then it was the overthrow event... Commander Ikari was too shameless.
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