The 15th #法罗岛电影节# The 5th screening day of the main competition unit will bring you "Delsu Uzala". Below, please see the original evaluation of the people on the front line of nature embracing!
Mimi:
The laws of nature, the rules of civilization.
Fruit trees:
The greatness of nature and the charm of primitive conquest.
RIVER:
I like the first part, and the second part is depressing.
Dazhao:
Back to the basics, human and nature, so simple that it is not like Kurosawa Akira.
We Min Hee:
The sense of adventure is well portrayed. There are not many parts of city life, but the poison to the character is serious enough.
Matsuno empty pine:
As the best foreign language for the Oscars, expectations are too high. This feels quite mediocre, especially in the second part, Kurosawa still dissatisfied with the Soviet Union.
SONGMJ23:
The relationship between man and nature occupies the core of the film, overriding everything behind this work. Only Kurosawa can shoot such freely dancing images.
Three islands on the sea:
The red sun, the thawing river, and the forest are great enough. Put on the headphones and the wind blows behind you. Although his name is Delsu Uzala, he is not that special. He hides behind the sense of ecologicalism and alienation, and the feeling of being scrutinized is too rich.
Mozart Lensu:
This is a movie that feels sad at the beginning. As a simple-looking, pure and kind-hearted old man, Del Su hit the softest part of my heart as soon as he appeared on the stage. The whole movie made me want to cry, but the lack of a flashpoint did not make me cry in the end.
No one at midnight:
I did not imagine that the problem of unaccustomed water and soil appeared, on the contrary, it was better than the few Japanese films by Akira Kurosawa that I have watched so far. The insight into foreign cultures can be so clear throughout the whole process. There is no curious and intrusive thorn from time to time, just like the piety of Del Su who has been able to do well in the natural environment but always maintains awe; nor does he pretend to be true. The standpoint can be fully integrated, which can be compared to the indelible sense of separation between the two civilized states in the movie. Even when the home and away identities are rotated later, the contradiction is only further insurmountable. When a hunter who is not afraid of a tiger actually shoots and kills the prey, he also breaks the barrier that was originally strong and unreliable in his heart; when he was inseparable before, the shotgun became a gift that others could hand over and give him. , He finally realized that no matter how close he is to this foreign friend, no matter how long he walks, and no matter how dependent he is, he will always be a guest in the city and a foreign guest of modern civilization. His home game is only Can go back to the grassland buried by the heavy snow, whether you can still live or die directly.
DAY5's main competition magazine will be released later, please wait and see.
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