Drama creation emphasizes conflict, and war itself is already the most extreme manifestation of human conflict, so theoretically, stories about war do not need to deliberately create conflicts, as long as they show conflicts. War films are shot to this day, and the more they are shot, the more realistic they are. On the one hand, scenes such as gunfire explosions and bloodshed death become more realistic with the blessing of prop technology and computer special effects. On the other hand, it is the objective and truthful perspective of the story, not advocating or favoring any side, and presenting the original face of the war as truthfully as possible, paying more and more attention to the hearts of the people (mostly soldiers) in the war, and preferring to portray people. A state of collapse and despair in a war environment. It has become a consensus that the more real and objective it is to become a good war film, but it is not easy to do it. The former needs the support of advanced industrial technology, and the latter has a demand for the aesthetic height of the script. This film is undoubtedly both of them. All were done (and within a very limited budget), and the whole film was like a high-quality military operation, clean, precise and efficient.
At the beginning of the film, the subtitles directly set the heavy tone "Everyone in the post will die." After the concise subtitles, the conversation of several new soldiers in the armed helicopter also released a breath of fear. After arriving at the outpost camp, I found that it was indeed a purgatory on earth that was shrouded in death at any time. The enemy surrounded by mountains on three sides poured a shower of bullets from time to time. The harsh terrain made the soldiers only passively defend, but at the same time, the soldiers seemed to be afraid of nerves. A little numb, the daily exchange of fire has become a commonplace meal. In the daytime, under the threat of firepower from the other side, it only slightly converges. At night, it relies on the enemy's lack of night vision equipment, so he can enjoy the coolness in the camp. Those who have experienced the war will know how real such a strange scene is. The suffocating atmosphere on the battlefield is the most terrifying enemy of the soldiers. They will use all means to relieve themselves and relieve tension, otherwise the battle has not been fought. Just crazy.
Hand-held photography gives you an immersive feeling, as if the audience is a member of the soldiers, personally observing all aspects of camp life, performing duties, fighting, eating, sleeping, discussing life and burning feces with them. The rhythm and arrangement of the first half of the film are very good. In just a few tens of minutes, it clearly describes the military situation and political situation of the outpost (at the same time it successfully creates a sense of progressive tension. For example, the villagers gradually fall to the Taliban organization, the Taliban’s Weapons and equipment are being upgraded secretly, and the Afghan translator keeps shouting "The wolf is coming", which gives people a feeling of eagerness to rain). It also vividly shows that the camp has shaped the group of soldiers in the camp. Many people only rely on one or two. A line immediately outlines an image with flesh and blood and a story (for example, the soldier guarding a suspected spy, sharing his childhood trauma with the other party). The sergeant "Romasha" played by Lord Dongmu's son is theoretically the male number one, because the needs of group dramas have been compressed a lot, and this role that tends to be perfect is a bit old-fashioned, and there is nothing special about it. , But the non-commissioned officer "Carter" who had several rivalries with him is very eye-catching. My favorite part of this film is the conversation between Carter and Romsha through the walkie-talkie when he is on duty in heavy rain. The effect is that Romsha said that Jesus would bless us. In this just battle, Carter replied that the Taliban thought the same way. Romsha said: Look at the results, we can’t all be right, Carter’s answer is wonderful: we may all be wrong !
The offensive and defensive warfare that pushed the film to a climax in the second half came as scheduled. I didn’t know anything about military affairs, but I couldn’t make a subtle analysis, but I can still see it. The most rare part is the same as the first half. Du (there is also a real person playing himself in battle), neither beautifies nor blackened, truth is power, and the battle scenes of more than 30 minutes can't be breathed. In fact, this was a small-scale battle (hundreds of Taliban and dozens of U.S. soldiers), which lasted only one day, and there was no tactical arms cooperation. It was a simple attack while defending, but the scene was realistically restored. It makes us feel that the battle is very fierce, and the experience is close at hand. This is created by the excellent gunfire effect and the actor's emotion in place. In the rain of bullets and the destruction of artillery fire, it focuses on the rescue of the soldier Metz. No one is born a hero. The brilliance of human nature shines because of the truth. Carter mustered up the courage to question several times, but still did not dare to step out of the car door, but At his insistence, his boss Larsen agreed and provided cover. Carter rescued Metz into the car under a rain of bullets, and then took him to the medical station with Larsen. Carter, who was exhausted, was originally against the war. With inexplicable doubts, it seems to have found the meaning at this moment. Metz lost a lot of blood, and his comrades enthusiastically donated. Metz was sent to the helicopter with the blood flowing in his body. However, Carter, who was reborn after the end of the movie, was told that Metz could not survive after all. Seeing this, we feel the message conveyed by the film: this is war, bloody and ruthless. There is no high-profile love for Zhu Yi, no bravery to rush to the bunker with explosives, but there are soldiers who have a consistent attitude towards this war. Lieutenant Bondman, who acted as the commander before the decisive battle, said to everyone: our The goal has never changed, and Romsha immediately replied: Yes, live!
The political attitude in the film is also neutral and high. There is no demonization of the villagers and the Taliban. When facing the American soldiers from another world, the villagers must have an ambiguous and cunning attitude. The Taliban armed forces are a vague existence and there is no direct description. , But you can faintly feel that even the Afghan people in the agreement area are pumping blood for it. Everyone can see that this bitter post perfectly symbolizes the situation of the United States in this war: embarrassment and helplessness. The first commander in the film, Benjamin (the one played by the Elf Prince) is a very politically talented soldier. He barely maintained peace with the villagers before he died because of a ridiculous order from his superiors. Even so, he faced the situation during negotiations. Knowing that the young man who used the AK47 to shoot at his camp a day ago, he can only calm down. Although the third black commander looked timid and embarrassed, and did not dare to go out when peeing, he was the only commander who was transferred alive. The post was supposed to be evacuated in July, but in order to build momentum for the Afghan presidential campaign, it was delayed until October, causing the final tragic battle. It is said that war is the continuation of politics. Here, war itself is politics. Soldiers are also a bargaining chip. Many movie fans say that the upper ranks of the US military are mentally ill and set up outposts in this place where soldiers are taboo. In fact, the upper ranks are very clever. Setting up outposts in the deep hinterland has the need for strategy, deterrence and even propaganda. As for officers and soldiers. Damage, as long as it is not outrageous, is an acceptable Necessary loss.
If it is true as stated in the U.S. Declaration of Independence, "All men are created equal," then the lives of American soldiers and Taliban are also equivalent. In the final battle, the U.S. military seemed to be tragic, but only 8 people died. The Taliban on the mountain While the corpses piled up like a mountain of officials under the air attack of the US military, the film helped Lieutenant Deman to say in the phone: Air support is here, let him walk the way for the sky , the English is " do lord's f--king work ", here is mentioned above. The dialogue between Romsha and Carter had a subtle echo. Jesus seemed to be on the more powerful side. As soon as the camera moved up the mountain, Captain Portis, who was responsible for clearing out the remaining enemies, saw the corpses in the mountains and the huge craters dropped by fighters. Can't help sighing: Fortunately, they are on our side! The word "they" here is a pun, which is not only the powerful air superiority of the US military, but also Jesus himself. This reminds me of the similar sighs made by countless allied nations after the atomic bombings of Hiroshima and Nagasaki in World War II: Fortunately, he belongs to us! History is written by the victor, and the party who has the atomic bomb will naturally have justice. When the battle ended and night fell, Afghan women in long robes came to the camp to pray in silence for the dead Taliban (should be their family members). Seeing this scene, Carter said: If only someone remembered us like this! Romsa said: Hmm! These are two places that instantly won my favor. Captain Portis and Carter’s words made me feel a trace of compassion for the lost lives and a clear understanding of war: both sides are fighting for faith. People, and God is on that side, they have no choice.
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