The 14th #法罗岛电影节# will bring you the opening film "Sweet Sister" on the 0th screening day of the main competition unit. Here is the evaluation of the front-line fashionistas leading the trend!
Jeremy Sun:
It's really amazing.
Sugar-free Tucao:
The cynicism of Hollywood commercials.
zzy granite:
Hepburn is really an otherworldly angel.
Matsuno empty pine:
The art design is very good, but the dance and song...
Zhao Xiaoqi:
The song is not good, the dance is stiff, and the most embarrassing thing is the plot.
Her Majesty:
Affected the "City of Philharmonic". As the opening film, the song and dance film is to watch it happily.
We Min Hee:
It's more interesting and full of vitality than "Slim Lady". Hepburn can be said to be a master of awkward dance.
Prometheus:
Astaire and Hepburn did not call at all, but the song and dance with the editor-in-chief of the magazine was very good. I think the old dance king is crazy cue Rogers, Hepburn is so suitable for spotting.
Mimi:
Hepburn's first song and dance film, she is like an elf, allowing you to discover the beauty of every moment and every aspect of her.
If Hepburn is the muse of Givenchy's life, then clothing is definitely Givenchy's love letter to Hepburn.
Falling Clouds and Lonely Birds in Autumn and Water:
The directors that Hepburn cooperated with are all keen to use the plot of "making the ugly duckling into a fashion darling" to make Hepburn a fashion icon. No one is more suitable to stand upright in Chinese clothes than she is, and she is regarded as a classic by later generations. Even though this When she was less than thirty, she was obviously old.
Full of Zhao+:
It was colorful like a huge dream. The dark room and the bamboo raft danced romantically to death, but it was shrouded in a huge bright falsehood. The touch and affection were only a moment of joy. To be laughed to death by Hepburn's impromptu modern dance, I envy her in that state. (I was stupid with that kiss in the bookstore, but I really liked it!!!)
O. Yin:
As a typical Hollywood song and dance romance film in 57 years, this film is actually very well completed. The overall rhythm, characterization and color composition are quite good, but today it is too old-fashioned, not to mention that the plot is just traditional The simple beauty becomes fashionable and meets love in a blink of an eye. The male protagonist has no charm at all, and the reaction between the male and female protagonists is also poor. There is nothing impressive about the singing and dancing passages in the film.
Pincent:
Color, rhythm, and selection of scenes are important. In Paris Avenue and the dark red room, the scene layout and lens design of many dance passages are not weaker than those of "Song in the Rain". Visual expressiveness is the key. Some passages should be photographed similarly. Like dreams, like deliberately adding new filters, "unreality" is just right. Modeling, photography, and other industries for people to watch, it may be noisy, flashy, false, and disorienting. Take a snapshot of the new version. There are few shortcomings in the narrative, and you can find Rooney Mara to play it.
Poem to Adelin:
At a party focused on Caribbean style, the Niagara Falls loop is obviously not laid out. All in all, the story is too contradictory and weak. The dance in Hepburn’s Paris underground bistro is the best, plus half a star, but unfortunately it is also a solo situation. SOLO has nothing to do with the movie. It’s a pity that the background is probably a beautiful country of New York, and the folk customs are also It’s not fierce, and buying a gun is quite strenuous, otherwise Hepburn can directly kill a group of squeaky arrogant two at the beginning, which will definitely save the movie.
SONGMJ23:
Songs and dances that follow the rules. The costumes, music, and dance are all very colorful, and the mirroring is also in line with the mood of the characters and can create an atmosphere. The comparative study of "sympathy" and "empathy" is a very interesting concept, but it is not certain whether the dances themselves reflect the distinction, transmission and communication of these two concepts among the main characters as the story progresses. change. I hope the director can think of this, but the talent is shallow and does not know dance. The design of the plot trend itself is a bit clichéd, if it weren't for singing and dancing as a buffer of emotions, it would be unreadable.
No one at midnight:
The picture of the fashion industry in the 1950s was far more fashionable than the famous "Devil Wearing Prada" half a century later; bookstores, darkrooms, pubs... every space has a super design sense, and All the outdoor scenes in Paris and the arrangement of the song and dance passages are as light and powerful as the later "Zazi Take the Metro." The so-called muse, where is the angel who really fell from the sky, as a man-made myth, without all the filters and costumes, she will only plunge into the vulgar love story forever. And all the extravagant pomp, extravagant and depraved sense of ritual, I look back just to say this one: Fashion is dead.
#FIFF14#DAY0’s main competition score will be released for everyone later, please wait and see.
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