Lars Von Trier's American experiment proceeded to the second part. It was reasonable to intercept a stage scene between the macro and the micro. It aimed at the most far-reaching and acute racial contradictions in the United States. This was a mixed slave-type and industrial-type confrontation. The stage experiment works that are intermingled with each other are not inferior to Dogtown even without super-big-name support such as nicole kidman. Of course, as far as personal preference is concerned, the pioneering impact and more ambitious humanity themes brought by Dogtown are unprecedented. Now it is. It’s still hard to tell that the second one is called the trilogy. Of course, you have to watch the third one to enjoy the whole thing. With the launch of this work, DOGMA95 has gone through ten years. The work is not much, not much. The overall level is not big, but This momentum of experimentalism is also just an undercurrent. With the flag bearer Von Trier’s interest shifting from European to American experimentation, although the trend is quite different, the degree of criticism and technique are becoming more and more grandiose. I kind of miss the Danish drama of helping a family in the late 1990s. Today has become a drama in a village and town, anyway Von Trier can always find excellent actors to show on this high-end academic stage as if it is another real life in the real world. Some people have homes, towns, and tribes. Confrontation and intercourse are everything. The truth of is also all about the truth
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