The second part of the Busan trip was moved from the train to the peninsula. Faced with such a large space change, South Korea adopted a skillful means of contacting and digging into reality, but this caused many problems.
1. The characters are paper fragments, and the behaviors and logical actions feel a little strange.
2. Now that you have chosen the method of contacting sexual reality. This kind of long-term compact rhythm is very weak, and without the direct sensory stimulation like the first part, this kind of rhythm is easy to slip.
3. The ending is too bad, contrary to the direction and expression of the entire film
4. I personally feel that it is more interesting to unfold the story from the viewpoint of the guards on the peninsula. It is more complete to unfold from the three changes of the guards.
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