It doesn’t feel as attractive as the first one. I think the shots at the Colosseum are very good, and the settings are quite novel, but there is nothing substantive and shocking. It feels like it can be darker In the case of the psychological collapse of the doomsday) But it feels that the protagonist does not have any deep emotions with the brother-in-law from the perspective of the script. Why must I save the brother-in-law? It feels a bit far-fetched here. When the brother-in-law died, the protagonist looked fiercely and turned a group of people. When the music changed too fast (I haven't had a tragic musical yet), there was a sudden big gun battle. Of course, the gun battle was shot very handsome! Just a little bit less zombies. In addition, the plot and atmosphere of their driving away are reminiscent of crazy max, and the modified car is also very similar, with teeth that are often dangling. There is also the commander’s car that rushes out inexplicably and strangely behind. The protagonist and their own halo have to go through a lot of hardships to break through. Where did he drive from? Authentic? It will make the audience feel that it is too easy to go, why didn't he escape before. The final ending is very awkward, just for lyricism. Two must die. My mother was shot and she seemed to be able to walk around without any pain. Grandpa died. Jane didn't even ask a question. Is she still a good friend? Grandpa is a tool man (so it seems that the role of grandpa can actually be omitted) and has been lyrical for a long time. But generally speaking, it looks good for people who haven’t seen a new movie for a long time.
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