Gave me nothing but Prabhas

Malvina 2022-10-09 11:06:32

Movie scene special effects scene design These are the top level of Bollywood, but the cost of 3.5 billion rupees, the highest in Indian film history, is really hitting it. If Shuaipa is determined to go to the end in an action movie, he will either play a revenge movie or a real war movie. Because a large number of hands-on beatings want to convince and rationalize the audience, there are only these two types. So this is still the Prince's Revenge and it makes sense.

However, the script, I don't know what the movie really wants to express. The only theme I can get is: for revenge, we must carefully plan, endure the humiliation, and kill the enemies one by one. Is this what we want? Revenge should be just a clue, used as a tool to advance the process of the film, rather than a theme throughout. A good movie either gives people positive energy, or gives people enlightenment and thought-provoking, or reflects reality and thought-provoking. Except for the heroine, a decent figure did not appear in the audience (but the heroine is only acting as a serious police officer), and there are only conflicts between interest groups, just like watching a gang war. King Baahubali is very good, taking revenge as a clue to promote the good qualities that a person should have, and what kind of end a bad person should have. It is a positive energy movie.

Speaking of this, it may be that Saho is an anti-hero-themed movie, but this kind of movie often reflects reality, such as "Joker" explaining the social problems of this kind of character image; or having positive energy to save the world, such as "Venom: "The Deadly Guardian" even if the devil lives in the body, we must use it to save the common people. This movie has nothing but revenge for revenge.

If it is divided into the category of suspense films, its suspense theme is too thin, just to reveal the identity of the male protagonist. The main theme of a suspense film should have a theme, such as how the hero of "Inception" enters dreams layer by layer, and how the tiny movements of "Butterfly Effect" change life.

The romantic action is very embarrassing. The male and female protagonists love each other inexplicably. In this aspect, the director Raja is convincing and loves each other. If Shuaipa continues to walk on the road of action movies, expect him to cooperate with Raja again, and then choose a good script, the emotional development of the Bahubali heroine is quite convincing. The director of this film has a long way to go.

The failure of the plot makes people feel that this is just a MV show for the male and female protagonists, and this huge cost is considered a waste. It is like a hodgepodge, with everything but nothing.

In the end I categorized it as a completely fan-oriented movie, not for the general audience. This is contrary to the original intention of filmmaking. The original intention was to unify the North and South Indian markets like King Baahubali did, otherwise the most expensive money in history would not be spent. Maybe the production team is not ready to deal with the pan-Indian star halo, after all, Shuai Pa is the first pan-Indian star in India. Too much bet on the popularity of Shuaipa. Although it broke the record of the premiere day, it proves how popular he is and attracts people to the movie theater by his name alone, but what about it.

What can I get from this movie? I am probably the only one who, as a handsome Pa fan, was overwhelmed by the joy of his handsome face. All of his movies were rated 5 stars by me. That's it.

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Extended Reading

Saaho quotes

  • Devaraj: When kids don't obey, we tell them stories. When adults don't obey, we tell them secrets.

  • Ashok Chakravarthy: Everyone is a Tendulkar in gully cricket. The actually talented person is the one who can smash a sixer right out of the park.