①
Under the sway of everyone, Basel stepped forward ignorantly to open the freezer of the refrigerator, and a girl was crumpling herself into a ball and putting it inside! She made a face at him and walked out of the refrigerator Shi Shiran, spreading her body like a swan, weird and elegant. Well, now everyone knows that they will love each other, so why not have a "Jean-Pierre Gennet" love dessert.
However, no. They love fast dating, as if they must love each other because the prince meets the princess in a fairy tale. The only reason they love each other seems to be because it is written in the script. At first there was no reason, and then there were no twists and turns. Even in the fairy tale, there must be a big deal. The devil wins love with a horizontal sword!
②
And the biggest problem with the movie is also here. Everything went so well and taken for granted, so that apart from our hero Basel’s desperation in the first 10 minutes, once he made up his mind to carry out revenge, the form would be reversed immediately-so-called enough. The two major arms dealers manipulating the international situation, in front of this group of weird trash guys, were almost helpless to fight back and were teased to the end.
There is no suppressed tyranny, no thrilling fights and dangers, and only the French can turn a scene of bitter revenge into a light and funny prank. It seems that just by pressing the play button, everything can be as sweet as macarons in the flowing chants.
③
Rene’s movies always have a simple utopian socialist complex. Here, only the working people are lovely and wonderful. They make a living by relying on their hands. Everyone is a facet of different groups in society. They all possess unique skills. But they have fallen to this point one after another, as if only waiting for fate to arrange a scene to help the poor tramp with a bullet in his head.
20180617
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