After reading it, I really wanted to kneel for Lloyd. The thrills and jokes of each floor are so ingeniously blended. I can see that I am really bloody, and I stand up again and again to applaud him. The fence/prison that was first mirrored in the movie also often appears in Keaton's movies. I don't know who imitated whom. And the silent comedy movies at that time like to add police chase scenes, but every time a similar scene can play a new trick. The dislocation shooting of climbing stairs is also very cleverly used. In Chaplin's modern era, the shooting of skating in shopping malls also used dislocation, but it was more than ten years later than the safe climbing. It seems that this technique is also very successful. ! I also saw the clock tower shot of Jackie Chan paying tribute to it. I really miss it. Jackie Chan has basically paid tribute to all the classic shots in silent films, and he deserves to be my idol. The era of silent films has passed, and along with the disappearance are those creative independent filmmakers. It is really difficult for us to see the film under the packaging of modern commercial routines that can make us pleasing to the eye. Lloyd is really a master of comedy. He has a very thorough understanding of comedy. He believes that comedy movie jokes are the most important, followed by stories. When you start thinking about how to create a film, for example, are you looking for a series of connected jokes, or are there any core ideas that allow all jokes to develop around it? But I always feel that his biggest flaw is that he looks too human, what do you think? ! ?
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