The story/script is very good, the first half is cut, the second half is single-line narrative, the narrative is compact and smooth, and it has the characteristics of both crime and literary romance: the highly stylized lighting in the interrogation room makes Namoro alone a little neurotic Wandering at midnight; special sound effects (explosions) are inserted to express the character's psychology/suggesting plot; the audience’s omniscience and cognitive range, the suspense is magnified; the ending shot: the hand stroking the photo cuts to Moreau’s face close-up + monologue, sad and lonely in the background Jazz.
View more about Elevator to the Gallows reviews
