The two old actors in the movie performed very well. Of course, it is also possible that the elderly roles are okay...
In the first twenty minutes of the movie, Roy's role was exposed from a cheerful criminal who seemed a bit mischievous to a cruel fraud and violent criminal, a vigorous villain. From the moment he found someone to smash his hand, most of the audience can understand that this buddy must end up miserably. In fact, one thing that is more confusing is that, as a professional liar who makes a living by cheating, isn't it generally the world around? Such as Jia Yueting? Why is there so much confidence that he dared to wander around the streets of London after "pretending to be in prison"? Of course, he tactically opened Wushuang for a time to cover up the hidden danger of turning in place strategically.
In the middle of the movie, I have two expectations. One is that the male and female protagonists agree but the original sin of the protagonist is liquidated, similar to the creditor’s door-to-door imprisonment. However, this development seems to say that love is greater than social justice or because of his life. It’s a bit weird in a word, like the short-cut to preaching by laying down the butcher knife and standing on the ground to become a Buddha. The second is that the more conventional *female protagonist is also doing your tricks*, I think this development is very boring, that is, the liar is the liar to the liar. As a result, the screenwriter turned him into an even stranger rape victim liquidation drama. By the way, he also entrained some anti-Nazi political correctness, and then the final liquidation was really the creditor.
Generally speaking, the male protagonist is portrayed as an evil person, and the operation is not very subtle, almost a bit like a comedy. Then quickly entered the trick of deception, if the two actors weren't for the show, I'm afraid the film itself is going to hit the street.
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