Paul Haggis's "Trio of Erotic Destiny" (also translated as "Derailed Fantasy" 2013), its structure is similar to "Crash" and earlier "Thirteen Crossroads of Destiny", but each has its own advantages. In terms of the malleability of the story and the fun it radiates, I prefer this "Trio of Eroticism" and "Thirteen Crossroads of Destiny". Of course, the award-winning "Crash" is also good, but I have pointed out that it is too sensational. And the flaws of patchwork, I won't repeat them here.
"Eros Trio" is undoubtedly comfortable. Watching movies cannot be an extra yoke. The set of horns against the heart is actually extremely pulled away. Precisely it makes a pleasant Coke. Parallel narratives also have different interpretations, which are related to the intention and focus of a creator. Talk about love, dance and repeat as much as you can, as long as you let it go without being jerky.
The hotel is a place where people live and fragrant. The people coming and going are like water flowing by, never leaving a trace. Even if it is tears and blood, the flowers will only be fragrant for a few days. No one cares about who, unless true love. In a nutshell, this is a film that peels away the appearance and deeply interprets eroticism.
The film's story location also has the taste of "the world is hot and cold", no matter if they are in New York, Paris or Rome, they don't worry about it. Life is always a jungle of reality piled up one by one. It depends on how you push through the fog and walk over. Some people hit the wall, some fell off the cliff, and some disappeared for no reason. What a sad world this is.
The writer Mike, starred by Liam Neeson, left his wife and sits in a New York hotel every day to rack his brains and write, becoming a veritable home. He wants to talk to the young beautiful girl Anna, and I am unavoidable. The problem is that Mike used Anna as a model, let her biological father take the place, and slapped "Apple" with great pains. In the end, it appeared in Rome, so there almost appeared a scene of the end of the chase and escape. And the wife in New York finally dared to jump into the blue pool.
At the "American Bar" in Paris, Scott met Monica, a Gypsy Roma woman, and fell in love at first sight, so she fell into the ransom circle set up by her or the bad guys behind her. In the end, the two got married. It turned out that even if they were deceived, they could play this heartbreakingly. It was simply the broad-mindedness of an international communist fighter, which made people feel sad and joyful.
Julia, the hotel attendant who happened to be staying at Mike, started a quiet battle with her ex-husband painter in order to be able to visit her seven-year-old son. . But there is no winner here, only tears and despair.
Mike wrote the words "White, the color of trust, and the color of faith also symbolize the lies he has told himself." Laurie also said to Scott on the phone, "You always forgive yourself, but I can't do it."
I think that people have been cheating more or less in their hearts, and it's just a difference in thought. The so-called lust trio is just an emotional philharmonic ensemble, which is by no means a step. The boundary between love and eroticism itself is fuzzy, but also in harmony with each other, and it is irrefutable. The coincidence of people and people, the love of heart, this in itself is a wonderful thing, all depends on the gift of heaven. This is doomed to the same codeword at the beginning and the end of the movie, "Look at me...", Mike always looks at him, but there is no one, his hair standing upright, and the haze of life quietly rises.
2014, December, 1
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