Like the title, compare the difference between order and TV on a whim
The opening time of the preface is 2015.
The color of the surface water turned blood red
The preface does not mention that the apostles attacked fifteen years after the second assault.
On the way Misato picks up Shinji to the nerv headquarters, the initiator of the communication changes from Shinji to Misato (TV confesses the information by calling Misato and then inner monologue)
The third apostle became the fourth apostle (the same later, four changes to five, five changes to six)
The dialogue between the commander and Dongyue mentioned the fruit of life and wisdom, but TV did not mention it
The preface does not imply that Shinji is the pilot of the first plane (and it is not necessary)
In the preface, Ritsuko changed back to her normal clothes before seeing Misato after finishing her homework, while TV was wearing a white coat directly outside her swimsuit. I don’t know if it’s a ruffian who doesn’t want to pay benefits (of course it will definitely affect the character’s personality).
After Shinji entered the nerv, the preface did not mention the identity of the Marduk institution and Shinji’s third-qualified person (the new theater weakened the setting of the Marduk institution; as for the reminder of the third-qualified person’s identity, the new theater The driver of the first aircraft is not necessary, but I will explain it later)
Deleted the quite long scene of Misato and Ritsuko talking about the first machine while Shinji was standing between the two and reading the nerv documentation
Deleted the plot to protect Shinji on the first unit
The plot of runaway defeating the Apostle changed from memory to Shunxu (probably because TV wanted to finalize the most exciting part, and because of the finale against Thunder Angel, the sequence was exempted from translocation in the front)
Misato and Ritsuko commented on ATField. Misato’s lens changed from the side to the front, and Ritsuko changed from the front to the side. It feels purely nasty
The preface deleted the scene of Shinji witnessing the recovery of the first machine after the recovery of the first machine, and replaced it with the train shot and the dialogue between the commander and Yui (the boy is called Shinji, the girl is called Rei, and the red-eyed big Baili fish-eye angled shot Finish)
The attack of the apostles is set in the preface to be expected by seele, but unexpected in TV
In the conversation between the commander and seele in TV, the members of seele emphasized the huge cost of eva and the commander’s giving the first aircraft to his son, which was quite a bit of pressure; The future development of the number machine, and the Lilith contract, are more appetizing.
In the preface, Misato, Ritsuko, and Ibuki go to clean the battlefield. Talking about the scene after the apostle’s collapse seems like a second impact, TV did not mention it.
Shinji and the commander are facing each other inside and outside the elevator, the almost vertical still frame elevation angle lens, the sequence shortens the time compared to the TV
The dialogue of the housewives in the preface further dramatizes the accusations and distrust of nerv
#Egg: Regarding the garbage and food in Miri’s house-the empty beer cans piled on the table have become coffee cans, and there are more places where coffee cans appear (After twelve years, nerv’s work has become heavier, or Older people can’t drink so much alcohol 2333333); foreign wine has become sake, and snacks have changed with the times; Pizza Hut boxes have appeared in food packaging; two display cabinets filled with bottled wine and The table is full of shots of empty beer cans (so the ruffian wants to make the new theater a full-age work 2333333); a new brand of beer has been added in the refrigerator, and the old brand has been replaced with a new packaging
Misato's sitting posture: In the prologue, the front of the right foot sticks out of the viewing frame, and the provocative meaning is greatly reduced (the breast and butt shots are still there, but this is not even a welfare...In general, Misato’s affection for Shinji and Ritsuko to the commander in the new theater has not been eliminated, at least it will be weakened)
Mili's underwear in the bathroom has completely changed color and style. It seems to be a more mature style. Is it really older? 2333... But I have to complain about the evil taste of the ruffian again.
Regarding hot spring penguins: The preface mentions that hot spring penguins existed 15 years ago (not mentioned by TV), and also hinted at the time of the last impact (fifteen years ago) (compared to TV’s apocalyptic background) Emphasize that the new theater pays more attention to ecology and related details, which is more obvious in the break)
Deleted the memory flashback when Shinji took a bath
The dialogue between Ritsuko and the commander in front of the zero machine: Ritsuko only asked Rei in TV, while the preface asked Rei and Shinji at the same time. To the latter, the commander’s answer was "don’t care about him." The new theater seems to have removed this layer of emotion; compared to the TV commander’s indifference to Shinji, the new theater presents closer to coldness)
A clip of Misato’s bathing: On TV, she called Misato and Ritsuko, focusing on the relationship between Misato and Shinji, and her physical performance was more obvious; the preface is Misato’s monologue, which shows her suspicion of nerv (here can be It is obvious that TV and the new theater have different emphasis on content: from beginning to end, TV will gradually emphasize psychological analysis and interpersonal communication, while the new theater is a much simpler and more commercialized story; Misato is right nerv’s suspicion also hints at the inevitable shift of the new theater plot from the break to the old TV version-not overnight)
A bird’s-eye view of Shinji lying on the bed thinking about “why are you here?” TV is a mid-range shot (Shinji’s whole body and the entire bed underneath are taken into the lens, and there are also some clutter beside the bed. The move-in has not yet been sorted out), the prologue is close to close-up (a small part of the head, neck and upper body); and between the bird’s-eye view and Shinji’s flashback of fighting against the apostles, the TV inserts a stare at the ceiling for a short period of time The still frame of the top light. The shot in the sequence was deleted and replaced with a close-up of Shinji's right eye that appeared later on TV.
In the first half of TV episode 3, the conversation between Kensuke and the monitor about the robot incident, and the teacher’s lecture about the whole story of the second impact (Shinji admitted to his classmates that he was an eva driver) were all deleted. Misato said good night and cheer to Shinji The second day started with the plot of Toji's beating Shinji (that is, the students who acquiesced to Shinji in the preface did not show that he was the driver-although theoretically unreasonable, it seems to be fine in fact)
Through the (second floor?) window to see Shinji lying on his back on the ground after being beaten, and between the vertical elevation shot of Shinji looking to the sky, the sequence added an image showing Shinji was beaten with nosebleeds and raised his left arm. A bird’s-eye view of the arm on the forehead and the left hand on the left eye (I even curious to imitate it. Practice has proved that this action is actually very uncomfortable and extremely unnatural 23333); the preface added Shinji “Why do I drive an eva? Inner monologue
Shinji sits on the No. 1 machine again for a shooting test. The third episode of TV is the first act. In the prologue, it is arranged after being shot (it is difficult to determine whether it is a sequence or a flashback); the prologue deletes the internal power supply of the eva Can only run for five minutes of explanatory dialogue, directly using the five-minute countdown image on the screen to explain the information; TV spent more space on Shinji’s compulsive behavior of "put the target in the center, press...", this performance is in the preface Has been reduced
The dialogue between Misato and Ritsuko about "the distance of the porcupine" (supplemented with the school scene/Shinji’s daily school editing presentation), on TV, via the phone, and placed after shooting training and before the performance of several school scenes; in the preface It was adjusted to the plot that followed Shinji’s beating, and it was an interview.
Rei informs Shinji that the scene of urgently summoning and fighting the fourth/fifth apostles has changed: TV is beaten immediately after Shinji is beaten, and the sequence is one day later in school-it seems that the old version of the story shows a shorter time span (this point waits until Q And |▎ is more obvious)
"The first combat position for all personnel"-the commander changed from Dongyue to Misato
Shinji’s monologue in the cockpit, "Dad is not here, why do you want to open an eva?"-TV flashbacks only include the clips of being beaten by Toji. In addition to being beaten by Toji, the preface also includes the clips of Shinji being hostile by the whole class. Correspondingly, the monologue has changed from "being beaten" to "being hated"
The toilet in the underground refuge is much cleaner than the TV (in terms of the overall scene drawing, TV is more of a run-down, and the sequence gives people a sense of desertedness; this may also have technical limitations and commercial considerations. )
The dialogue between Kensuke and Toji is richer in TV content, mentioning "may die", "Shinji is driving an eva to protect everyone" and "Toji has fought Shinji twice, so he is obliged to watch him fight" (at least For the first point, the atmosphere of the end times is stronger), and the above content is deleted in the preface
#Egg: The first machine was used to shoot the firearms of the Apostles for the first time. The TV seems to be an automatic rifle, which was replaced by Gatling in the preface.
Seeing the first machine defeated Toji’s eyes: the preface is pure surprise, TV tends to be a complex emotion that contains self-blame; when Kensuke said that “it was really affected by the beating”, TV The expression of Dongji is also more regretful than that of Xu; after Toji and Kensuke enter into the plug and see Shinji's fighting state, the TV shows that the two are worried about Shinji and Toji regrets their previous actions. More adequate
Misato proposed to let Toji and Kensuke enter the plug, and the part that Ritsuko opposed in the preface was deleted.
The third episode of TV ends with rainy weather, Rei looking out the window, Toji talking about Shinji with Kensuke, Toji making a phone call, and ending with these parts.
Misato inquires about Shinji's violation of the order. The order is Shunxu. TV arranges Misato's flashback in the dialogue between Misato and Ritsuko after Shinji's escape (TV's flashback is used very much). In the preface, the two are presented as two sets of shots alternately appearing, but Misato looks at Shinji from the beginning (Shinji only enters the frame with his legs, hands and upper arms holding the drink bottle, and his line of sight is presumed to be looking at the floor or Looks at the opposite wall like a TV); Misato asks Shinji "Do you really understand?" Faced with Shinji's senselessness, Shinji raised up and wanted to slap Shinji. Shinji did not express any resistance, but instead instructed Shinji to hit himself when he returned home. Slap in the face. Although the two people on TV are placed in the same frame (the two are facing each other, sitting and standing, staggering a certain distance in depth), they do not look at each other, but look at each other at a small depression angle slightly downward. On the wall, it wasn't until Misato questioned Shinji that he turned his head to look at Shinji. Shinji also raised his head slightly, but he still stared at the floor or wall most of the time, or avoided Misato's eyes.
The preface deletes the plot of Toji and Kensuke visiting Shinji at Misato at the beginning of the fourth episode of TV
Shinji fled to the luggage rack on the train, from TV’s Shinji backpack to a blank fore (that is, Shinji did not bring luggage when he fled)
#Egg: Shinji walkman's display seems to fix the bug that cannot be automatically carried to 1h after 60 minutes (and compared to TV, Shinji's walkman dependence is more serious in the preface)
After everyone got out of the car, the TV showed that Shinji still stayed in the car for a long time, and there was an additional (or real or Shinji fantasy) scene where some school classmates got in and out of the car; and the order directly After the transition, Shinji got off the car and started walking in the shopping street
Shinji sleeps on the street: The preface is covered with a cardboard box, curled up next to the trash can-looks worse than in TV (TV's environment is benches, vending machines and toilets)
Misato opened the door of the empty Shinji room. Compared to TV, the preface said to himself: "He is not going to come back."
Scanning Rei’s body and Misato’s discussion with Ritsuko about the future of fourteen-year-old children, eva, and humans were deleted in the preface (at the same place where Rei received the body scan on TV, Rei in the preface is in class)
The paragraph where Shinji meets Kensuke by chance is deleted, and Shinji's return to nerv in the preface is not forced to be brought back, but (at least on the surface) out of volition
After Shinji was brought back to the dialogue with Misato, TV and Xu are almost completely different: space is limited and it is difficult to compare sentence by sentence, but in general, TV is more inclined to have no choice (pointing to psychological meaning), and Xu is more inclined to have no freedom. (Point to physical meaning)
The preface adds a dialogue between the commander and Fuyuki after Shinji Miri’s dialogue, about "Shinji really took the expected action", "Let Shinji and Rido contact" (this is likely to imply the third impact) and "The plan remains unchanged, the script started 14 years ago, the children whose destiny has long been destined" (seriously suspected that the commander's "this is also in my control" stemmed from the crazy posturing of the new theater ruffian)
The preface deleted the plot that Shinji left nerv and finally decided to leave, so the dialogue between Ritsuko and the commander ("change the data of the first machine to Rei's" and "the fourth qualified person was not found"); Shinji's fight back to Toji was transferred from Toji and Kensuke to Shinji's departure and adjusted to the daily background of campus life
The background introduction for Rei changed from the TV’s unit zero after the start-up failure to the sequenced swimsuit welfare Shinji watching Rei (actually, the gym class clip and the failed activation clip were swapped; in any case, this change weakened the old TV. The emphasis on the connection between Rei and the commander turns to faintly instructs the connection between Rei and Shinji)
Regarding Rei’s loneliness in physical education, the preface omitted the dialogue between Shinji and Toji and Kensuke, and instead used a more concise way of presentation (camera and music).
TV first explained the start-up experiment (failed). After that, Shinji saw his father's hand injury and asked why, and learned of the special relationship between the commander and Rei; the failure of the start-up experiment in the preface was a reappearance of the commander’s burned hand to save Rei (Flash Back), so the performance started directly from the system abnormality, and TV performed the complete process of starting the experiment
After the zero machine was silent, the commander rushed out to save Li and opened the plug valve. Regarding the liquid flowing out of the plug—the liquid in the TV was a simple orange (juice) color of lcl, and the liquid in the sequence was blood red (here actually It’s a bit funny, if it is enough blood loss to dye all the lcl inside the plug into bright red, ten li is probably dead too)
Deleted the discussion between Misato and Ritsuko about the reason why the zero machine failed to start
Seeing Rei talking happily with the commander, Shinji in the prologue was puzzled and surprised, and TV was jealous or even angry; but after receiving the safety card for herself and Rei, the prologue added a Shinji to face Rei’s safety. Fragment of Ka's self-talk: "Why does my dad smile at her, but not at me"
After the third cooling of the first unit, the TV shows Ritsuko visits Misato’s house and talks with Misato and Shinji. In the prologue, Misato and Ritsuko are chatting in a tavern. Mentioned)
The contrast between the preface and the living environment of TV Zhongli further confirms TV’s emphasis on “rundown” in the background of the end times
Rei's residence: the performance of blood is weakened a lot
The beautiful underwear in the drawer: Black socks and white shirts or dresses are added in the preface, which weakens the monotonous and deadly expression of life
The dialogue between Shinji and Rei on the elevator: In the preface, Shinji expressed the hope that (machine zero) will restart the experiment smoothly. The greeting was deleted, but the dialogue about fear of running away or losing to the apostle was added.
Deleted the clip in which Li recalled being saved by the commander; deleted the second restart experiment The middle was used after the first experiment failed and was rescued)
When the angel of thunder appeared on TV and was about to send the No. 1 machine to greet him, Rei looked down at the No. 1 machine under maintenance (at this time Shinji was sitting in the No. 1 machine). This shot was deleted in the prologue.
After the first aircraft was bombarded by Thunder Angel, the ATF was not deployed in the TV and the body was successfully recovered. The ATF was deployed in the sequence and the body could not be recovered. Miri wanted to eject the insertion bolt but was rejected by the commander, because the driver ATF would disappear when the driver was ejected (i.e. The preface commander chose the latter in Shinji’s life safety and the preservation of the first unit, and TV did not involve this content)
The analysis of Thunder Angel’s battle mode is directly presented on TV (the balloon and self-propelled mortar of the quasi-first aircraft) and the preface is taken in one stroke.
In the preface, the plot of Misato asking about Shinji's situation and the three scenes of Rei staring in a daze with the commander's glasses are omitted.
Added a shot of Rei holding the commander’s glasses and waiting in front of Shinji's emergency room (first aid measures will end when the shot is about to end) (really entangled XD)
Regarding the Yashima operation: Before mentioning the pilot, TV emphasized defense (that is, the shield held by Rei later); the preface emphasized the sniper equipment of the first aircraft
Regarding whether Shinji is still willing to sit on the No. 1 machine, the preface mentions the dummy system, and does not rule out Shinji’s brainwashing or the possibility of Rei driving the No. 1 machine (TV also mentioned the possibility of Rei’s driving the No. 1 machine, but did not There is a puppet system and brainwashing); the preface through the dialogue between the commander and Dongyue also mentioned that there are eight apostles left (from this, it can be calculated that there are 13 apostles)
After the dialogue between the commander and Fuyuki, the prologue inserted a clip of Shinji, who appeared quite late on TV, sat on the train and faced her childhood self and Rei's psychological analysis through inner monologues.
Xu Zhong Rei has been waiting outside the emergency room, and after the first aid is completed, he enters the emergency room and stays by Shinji's bed (so Shinji sees Rei as soon as he wakes up); TV Zhong Rei only delivered food and conveyed the Yashima battle after Shinji awakened. Plan, did not show concern for Shinji
In both the sequence and TV, Rei proposed that she was driving the first machine on behalf of Shinji. However, in TV, Rei immediately stated that Ritsuko was ready to rewrite the data of the first machine, giving people the impression that she was driving the first machine more out of order. It has nothing to do with her own wishes. After Rei asked Shinji "Are you afraid of the eva?" and did not get a response, she proposed to drive the eva by herself, which made people feel slightly different (and when Rei spoke to Shinji, half of them were Sit on a chair, and slightly lower your head when you stand up; TV Zhongli has been standing without bowing her head)
Before the confrontation with Thunder Angel, Shinji expressed his inner fear to Misato. After hearing this, Misato took Shinji to see Lilith in the dogma district, and stated that if the third shock occurs, human beings will perish (it turns out that it will not be 2333333) ——The plot to see Lilith is completely new to the new theater (Only few people in the TV version know that Lilith rather than Adam is stored in the Dogmatic District, and the TV version discloses the apostle information later than in the new theater) ( PS. Misato has been holding Shinji's hand for a while, I'm afraid it's not sugary, but think about it and wait until |▎The appearance of the two is different in age...... Cannian)
In the scene where Rei and Shinji change their combat uniforms, Shinji said, "This time...maybe they will die." Rei's reaction is different: in TV it is question ("Why do you say that"), and in the prologue it is negative ("No")
Rei said, "You won't die, I will protect you", always feeling that Xu is more determined than TV~ (TV is still pure three nos); Xu added Shinji's confession after this: "I have not been The value of protection"
In front of a set of blackout shots, the sequence added Toji and Kensuke’s recordings supporting Shinji
In the dialogue between Shinji and Rei before the attack, TV Shinji repeats what Rei said, "There is nothing but this", and the sequence adds a close-up of Rei holding the glasses case with the commander's glasses in her right hand (when Rei says "goodbye", TV says Hold the railing with your right hand, and the sequence is to hold the glasses case with your right hand)
At the beginning of the zero battle, Miri added a line in the preface: "Shinji, I would like to thank you very much for just being willing to board the eva again. Thank you."
Before Shinji shoots in the prologue, he uses an inner monologue to show Shinji’s self-doubt. This content is not available on TV.
The process of fighting Thunder Angels has been basically redesigned, and the main ones are written:
Xuan and TV both fired two shots from the first machine, and killed Thunder Angel for the second time: TV because the first machine fired at the same time Thunder Angel also launched an attack, the energies of both sides interfered, so neither hit the other; In the preface, it became purely due to Shinji's operation error and missed the point.
The number of the apostle’s counterattack was different before the first shot of the first machine hit the second shot. The TV only had one shot, and the sequence was twice.
Ray Angel’s only counterattack on TV was blocked by Rei holding a shield, after which he was shot and killed by Shinji.
In the preface, the apostle’s first attack was not blocked for some reason, Shinji temporarily left the shooting position (or was pushed away by the energy generated by the attack?); scenes showing Shinji's pain and weakness were added, the commander decided accordingly Changing the driver (in fact, it was totally unrealistic to think carefully about the situation at the time), and said that "if it's not useful, you can only throw it away", but Miri's insistence was unsuccessful. After Rei held the shield to block the second attack, Shinji killed the apostle
The footage of Shinji Salvation: The sequence added the shots of the zero machine falling to the ground and struggling on the ground due to the high heat, the shots of the sniper rifle being thrown on the ground, the first machine and the zero machine (from probably the blood of the apostle In the river)
Take out the insertion bolt from the eva, TV pulls the back plate of the zero machine by hand for the first machine, and the sequence uses the particle knife more dramatically (with the coordination of sound effects)
After Shinji opened the latch hatch: The prologue added a close-up of Rei’s right hand lying on the commander’s glasses corresponding to the previous one; Shinji said, “I think, just smile.” A close-up of Houli’s face was a normal prologue. With red pupils, the TV shows the image of Shinji on the pupils, and there are more shots where the image of the commander and Shinji are juxtaposed; the sequence adds the details of Shinji's combat uniform hand being burned by the high heat of the hatch spanner, and Shinji holds the beautiful hand. The lens
At the end of the prologue, a clip in which Kaoru (on the moon?) wakes up and talks with Seele is added (so far, the new theater plot and TV have basically parted ways)
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