It was not so good at the time, but now it is very good (still much stronger than it is now) from the perspective of directly focusing on the world inside and outside the movie. Anything is a song, and pain is a misunderstanding, a little joke. Kundera talked about Russian films, saying that the biggest pain of socialist countries seems to be that he loves her and she loves him, but they misunderstand each other and think they do not love. In fact, it can be an abstract beauty. The setting, characters, events, and silly jokes are all abstract. The setting is fake and magnificent. The same style creates a Venice. It dances here, dances fake dances, tap dances, but the tap dance slows down, but it is suddenly serious and romantic, and It is a good seriousness, a seriousness in romance, a trivial seriousness that is inherently impermanent. It can be mountain climbing or fishing. Yingyi dance is best to sing the kind of seriousness slowly in the slowest and gentlest singing. "All is fair in love and war and this is revolution", there are a few words that are very tasteful ("I will not leave it to any excuses, no even the truth!"). The story of these two people can come from any group. Socialist love stories are not stupid at all, but the best. The god of the love story should be the goddess of socialism. And there is also a lot of tragic, married couples are tragic, but who is called a lover ("I seem to find the happiness I seek", so understand). With a turn of the neckline, you have never been married! It really never ended. This is the look of joy, anger, sorrow, and joy. Nothing is important, appearance is the most important. It's actually dancing, every step you take, you have to be different. Now these things, after a few decades, they are all right. Big-handed, small-hearted, everything will do. But I have to be generous in my heart
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