I accidentally watched "Sweet Sister" by Audrey Hepburn and Astaire. Although I have always liked musicals and tap dancing, I have to say that after watching it the second time, I still feel that the plot of "Sweet Sister" is bad, but the graphics, design, background, costumes, and details still seem to be very delicate. I feel that the design of each scene is a perfect match with a ruler. The meticulousness makes me feel a little deliberate and a bit "serious". Just like the appearance of every character, the angle of every book is all designed, so this film has nothing to do with life, it is the product of a fashion studio.
From the beginning of the film, the composition and color matching, you know the exquisite aesthetics of the artistic design guidance behind the scenes, the combination of pink and gray, the comfortable visual combination principle of fashion aesthetics, and the proportions that highlight the key points.
Then I also contributed a lot of Audrey Hepburn's fashion blockbusters. Each photo now seems to be quite pleasing to the eye. It is not out of date. It is worthy of the fashion "master" and reference template of "The Devil Wearing Prada":
This is of course a personal film tailored for Audrey Hepburn. She is already the darling of the fashion industry, injecting fresh vitality into the impetuous fashion circle at that time. This film also deliberately highlights the needs of models in the fashion circle. Appearance requires more brains, and designed the entire script based on this. Although the love story between the photographer played by the dancer Astaire and the bookstore clerk played by Audrey He has real characters and stories for reference, the script is entirely about how to show Hepburn’s advantages as much as possible in the bridge section. And forced design, so far-fetched.
This is also Hepburn's first performance in a musical after "Roman Holiday", so she designated the actor as her childhood idol-the dance king Astaire, so the audience feels that the age gap between the male and female protagonists is a little far-fetched. It can be seen that Audrey Hepburn was very hardworking and serious when she performed in a musical for the first time. After all, she must be 100% expressive when she dances in front of her idol. After all, Audrey Hepburn was born in ballet, so she dances. She can't be troubled, but whether she dances well or not is the result of experience.
To be honest, I think the part of Audrey Hepburn dancing in a Paris bar is really ugly, even if it shows some ultra-avant-garde modern art, but the dance really makes people not beautiful and looks uncomfortable. It’s not that you don’t jump well, have an absolute posture, full of emotions, sonorous and powerful movements, and stretch your limbs as freely as possible, but it just makes people feel unnatural, contrived, and after the “degree” that makes people feel comfortable, It seems that I have suffered from embarrassment.
In contrast, the tap dance performed by Astaire and the fashion editor seems to be pleasing to the eye. You don’t need to overdo it, the movements and emotions are just right. The two people are about the same age, and they look tacitly in harmony. The low-pitched singing sounds very comfortable, and the color of the clothes is also pretty good. This dance really made me look at it intently, as if I was sucked in, it was one of the classic dance clips in this film. The purpose of dancing is to make people look comfortable.
Even the small section where the fashion editor and Audrey Hepburn performed on the same stage made me think that Audrey Hepburn's beautiful face attracted me to watch her singing and dancing. Every action is over, over, and a bit exaggerated. It's really not as good as the fashion editor next to it that jumps up and looks natural and harmonious.
In fact, I have always felt that Audrey Hepburn is also a little artificial in acting, always using too much force, every expression, every movement, every sentence is very deliberate. Therefore, it is better for Audrey Hepburn to wear beautiful clothes and shoot fashion movies. She looks really unique, like a little deer, an eternal fashion classic personal representative label, with epoch-making significance.
View more about Funny Face reviews
