Although the film is full of slots, the main characters' experiences and ending arrangements are fairly reasonable.
Characters whose positioning is biased towards the opposite side have hardly been rewarded:
The punk girl who was about to rob was broken by a shot, and she was turned into a human bullet in a coma. She was also crazy KJ by the little monster in the last ten seconds (the little monster in front was also captured by everyone because she was busy with ZW. Kill, it seems that the mobs are more X-wishes than the big ones......).
The full-faced boss man did everything badly, and finally lay on the floor to flag himself crazily, and was pulled into the underground by the blame (should be a tribute to the Brian Sheriff in Biochemical 2).
The dead fat otaku man with the lowest appearance was sprayed with a gastric juice full of maggots, and then entered into a manic sand sculpture mode, and then he was madly flattened by Heroine 1 (as a result, he later publicized his private vengeance to prevent Heroine 1 from entering the house. ), and then he was taken alive by the monster (Is this extraocular muscle made of cowhide?), and then he entered a dumbfounded depression mode until he was headshot by the monster with both hands. It can be seen that the director persuades the audience not to be a fat house with good intentions.
Faced with the crisis, the old woman who only cared about herself came up with a wise strategy of "one two three, a wooden person", but she still managed to avoid the first day of the first year but the fifteenth.
The pretentious speech master is the funny man in this film. The main achievement is to successfully annoy the monster family with boasting intimidation tactics. As a result, the monster is turned into a siege hammer. It's just a serious and funny way of speaking that makes people unable to compliment).
The only exception is the selfish female singer, but this is because the director wants to make a sequel.
Look at the positive characters again:
Hero1: With good looks, good aura and great body, the director was the first to sacrifice Flag. But at any rate, it was a momentary difference in the body and head, so I didn't suffer too much.
Heroine No. 1: Decent and decisive, and made outstanding contributions to the organization of the fight against monsters. Its pure orange relationship with Heroine No. 2 is a major clear stream in the film. The final death of Heroine No. 2 accidentally injured is also considered to be on the table.
Grandpa Bartender: My favorite character in the film (mainly because he said that "Daddy Monster has become a eunuch"...). Low-key style, calm behavior (although marksmanship is really not good), in the fight against monsters with all his heart, and finally fell ill due to old age, unfortunately, before dawn, he can only feel that the fate is like this.
Hero2: In addition to looking similar to the previous generation, there is no place that can be matched with the title of Hero, and it always causes minor troubles. In the end, I didn't make much effort to play Boss. I feel that it is not as capable as my disabled brother. The only highlight is He decisively killed the boss man (but he killed Heroine 1 by mistake soon) and agreed to Heroine 2 to find Heroine 1’s daughter at the end. To be honest, this character always reminds me of Star-Lord in Infinity War.
Wheelchair brother: At first, he still looked weak and weak, but in the middle of the movie, IQ went online suddenly, proposed a plan to make bombs, and deployed Molotov cocktails by himself (although his waste wood brother Hero 2 was not thrown out in the end...). In the final decisive battle, under the harsh conditions of heavy pressure on the lower body (in fact, the pressure is almost the same), the upper body suddenly became supernatural, and he used a big mousetrap to make a monster become a senior, and avenged the shame of Hero 1. , And finally escaped and ascended to heaven smoothly (the "death-free gold medal for the disabled" is indeed not an irony).
Heroine No. 2: The most successful character in the film, from the depression of self-rejection due to the distress of life at the beginning (a cordial communication with the boss man at a distance from his son), to the loss of his beloved son (the child is indeed very pitiful, Here is a silent silence for 3 seconds) the beginning of the awakening. When she came into contact with Heroine 1, her heart had a more profound change under its influence. After learning about the reality of Heroine 1’s death, he resolutely took on the responsibility of a friend, became a real Heroine, and finally gave the Boss a fatal blow.
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