Without Bruce Lee, the Ye Wen series should never have been photographed, but there is very little intersection between the "initiator" and the poster. There is inevitably copyright, and the family’s sake is more important, even if you let it go to make you believe in Ye Weixin and Director Wong Kar-wai doesn't know what to shoot because it's hard to justify why a traditional master would teach such an apprentice who is so arrogant and personal, let alone face the collision of two so-called values. Of course, it is not possible to design Ye Wen's character to be close to Bruce Lee. There must be an apprentice and a teacher. This is where all the master movies cannot be self-consistent and introspective. On the other hand, Bruce Lee’s character is not as simple as adolescent rebelliousness, as long as he hears that his master will soon die, all the dramatic conflicts will die away. At the same time, the screenwriter was even more unlikely to design that he had a master called the one-armed old man before him. Or return to the previous assumption that if Bruce Lee lived to the age of Ye Wen before leaving, what kind of master would he be? Will he become more and more an extreme nationalist? Or is it like an American drama [Kung Fu] David Carradine, the actor, is also indulging in certain choking games to relieve stress? Or is it a paranoid patient who threatens to defeat Ali in the state of Parkinson's syndrome? Or is it like his master Ye Wen in the movie to return to the basics and become a peerless husband who loves his family or even loves Kung Fu? It seems impossible.
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