The
mother whispered, everyone has the right to pursue happiness. You are too selfish. You were at a loss for a while. It seemed that you made a mistake. So sadly, she watched her leave and never came back. So I suddenly realized that the joy of the past was actually to set off the gap between misfortune and misfortune. I remembered that Kyoko said happily the night when I moved here, tatami mats are so fragrant, there are also luxuriant naughty, Koyuki's pure face, and Ming is habitual. He smiled, that kind of smile was never happy, as if he was holding it on purpose, but it finally burst from the heart and melted on his face. I was 12 years old and didn't talk much. I was accustomed to the separation of my mother. I used to buy food for my younger siblings after my mother left the money and left. My life has always been like this.
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It was the story of Yuka Kee that started strangely. The child hiding in the box, a woman who seemed to have never grown up with four children, did not deliberately explain but aroused the curiosity of the viewers. What kind of relationship is this? Then an excellent director unfolded the story into life. With a few random words in the family, and the silent asking for money from the taxi man and the game room man, the family’s past suddenly became clear. This is in line with the camera Silence and silence are just like the phone call between Yiqingqi and Tadanobu Asano in Hou Xiaoxian's "Coffee Time", which confessed the entire relationship between the characters and the situation of Yiqingqi's pregnancy. It is natural and there are few flaws. It turns out that the children belong to this young woman, but they have different fathers. Under the control of hormones, men and women groaned until they sprayed, but they never thought about their responsibilities, giving birth to a child in a daze, but leaving the child more at a loss. Akutagawa Ryunosuke, who has no nostalgia for life, said, The establishment of the parent-child relationship is the beginning of the first act of life tragedy. It is often heartbreaking and true. The age that should be cared for is struggling with his own life. She said timidly that she wanted to go to school, but her mother said there was no use going to school, so she could only look at the children who didn't know the truth in the campus with a look of admiration. After washing clothes in silence, Kyoko leaned on the tatami and gently pressed the keys of her toy piano to make a longing sound. It is true that we cannot firmly determine the life of a child before he is born, and cannot guarantee his future love and career. We cannot even be sure whether he can live happily. These cannot be reasons to prevent us from giving birth, but at least we To be sure of your own responsibilities, to make sure that you have the courage to love and give for it, and take care of each other’s emotions with body temperature even in the coldest nights, so that children feel that they are not alone and desperate in the most difficult moments Abandoning the children, abandoning four simple and pure children with unknown facts, it is too cruel. It is true that people have the right to pursue happiness, but since they have never felt happy, and they have not had the courage to love their children, why give birth to them?
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It is undeniable that the film has traces of Takahata’s classic animated film "The Tomb of Fireflies". Koyuki’s preference for chocolate is just like Setsuko’s to fruit candy. On her birthday night, she was taken out of the house by her brother in squeaky shoes. The last chocolate was poured out of the box as if a knot had passed away, which seemed to herald the final result. It is Hirokazu Ee's grasp of details that people can't help but admire, and it is these unobtrusive details that constitute the perfection of the film, the conversation between his mother and Ming on the balcony about marriage and Ming's call to the Yamamoto family in Kanagawa Prefecture, and so on. The simplicity tells the viewer the mother's whereabouts, the mottled red on Kyoko's nails, the mark of mother's nail polish spilled on the floor, and the increasingly messy rooms whisper the flow of time. By the way, there is also hair. , It was Zhi Yuhe who asked his mother to come back and cut their hair once. What a strong contrast, time is gone and never goes back, winter and spring come, and things are different, and they will never go back to the past. So Ming carefully avoided the landlord, took his younger brothers and sisters to the park to wash clothes and fetch water, and put their heads down to endure the jokes of life. When Ming, Saxi, Kyoko, Shigeru, and Koyuki, carrying water from the park home, their faces were bright and playful. When I was wearing rock, paper, scissors, it was the huge emotional tension contained in the shots of Hiroshi Kee and Yin Ren, which made the sadness that I did not often have rushed up from my lower abdomen. For a while, I couldn’t stop whimpering. I understand their happiness at this time, but because of this happiness It is almost inevitable to show the hardships of life and the sadness in the future. When Mao accidentally pushed down the instant noodle box with their names on them to grow flowers and plants, we were sure that it must be the name of Xiaoxue. A young and lovely life disappeared so silently, she was quiet. Lying on the mat, there was only a little blood on the side of the finger. When Ming called his mother with the only coin, the insufficient coins brought inevitable regret. Ming, who had never talked to his mother, reluctantly put down the receiver of the public telephone, his back was full of sadness from the audience. Ming and Saxi buried Xiaoxue in silence. When buying chocolates for Xiaoxue in the supermarket that she couldn't eat anymore, the owner of the unknown reason smiled and said to them, buy so many, go on a trip. Passing by are emotions that humans have never communicated with, our pain or just a joke of others, the world is really big, and individuals are powerless and small.
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The most joyful thing is the ending of Zhi Yuhe. My mother still hasn't come back. Ming still took the younger brothers and sisters to the park to fetch water, and went to the supermarket to receive some kind gifts. Of course, there is Saxi, the girl played by Han Younghui must have her own. The story, but the director didn't elaborate, otherwise, how could it be as gloomy as in "Sprint", but at this time, she knew that someone needed her, so she would have a brilliant smile. Life is as usual, never stopped because of anyone or anything, only death, and only death. Suddenly remembered the epitaph of a girl who died young before. I have been here. I am very good, but I think it should be written on Xiaoxue's grave.
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