And the murderer is also cute. The telepathy that cannot be isolated from the lunatic asylum and the asylum, coupled with the "wisdom" of being able to pretend to be a corpse after being burned, made me feel the urge to beat someone. Of course, I didn't understand why the murderer's hunting scope changed from the house to the person who appeared in the house that day. And traveling all the way back to that place to kill is also very troublesome. Although Billy calls home every year, what's the matter with his sister/daughter?
I don't know whether it is due to cultural differences or the remake, so I assume that everyone understands the result and omitted a lot of explanation.
In addition, I still don't understand why it is necessary to arrange a Lei Li who has lived in this building in the past and hates it very much. I didn't see the necessity of leaving and returning. If it was just for the beginning of the writing and the last scene of the watch, then the screenwriter could also be killed. In fact, although the characters inside have their own backgrounds and stories, they have not reached the level of attracting people. It should be due to insufficient rendering, which is an understatement. In fact, the shots of killing people can be simplified or even suggested, and the rest of the time can be used to express the characters; instead of the movie, it seems that I want to describe the characters but every time I write two strokes, I have to switch the lens in a hurry to kill someone. Roles.
In the end, as the only one who survived, the blonde little girl fell over the shoulder really badly-the potential of human beings stimulated by the deadly danger is really not covered.
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