Question:
People who live with masks have too much psychological pressure, and sex is a way to release oneself. In the naked body in the name of love, desire makes life return to the self.
――――Kafka Lu (KavkaLu)
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Louis Mahler once said as a representative of new French films after the new wave His films: All my films are based on the theme of "innocence" loss.
In "Fire Lover", he continued the new wave of criticism of the bourgeois living room. Under the curtain of shame, he staged his father-in-law coveting his daughter-in-law. Finally, the tragedy of his unbearable son accidentally fell from a building. The film truly shows the temptation of human nature to sensuality. Unable to dispatch helplessly. Not many people can say no loudly under the temptation of beauty and lust? ! Stephen Fleming, a senior official in the British government, had a happy family. He lived a dull and busy life. His wife and his life followed an orderly life until Anna appeared.
Anna is the lover of Stephen’s son Martin. Stephen met her at a diplomatic party. Whether a man and a woman have a
scene , you can know the final answer when they meet . The moment his eyes touched the twinkling eyes of the young Juliette Binoche, the director has actually opened the curtain of inconsistency. Louis Mahler shows that Anna is already deep in Stephen's absent-minded listening. Deeply attracted him.
All the scenes are always so closed, closed windows, crowded upper-level gatherings, people living with masks have too much psychological pressure, and sex is a way to release oneself, in the naked body in the name of love, desire Let life return to the self. As weeping string music always wanders in the movie, after being dignified, it shows the anxiety of life and the greed of human nature. In Anna's urgent eyes, the gate of ethics will inevitably be broken through by lust. What's interesting in this film is that the director likes to move the camera back very much. This choice is because the director has come to the front of the time and watched it happen. After that, Adam's doomed opportunity, and Eve will also enter Stephen with the mark of Electra. world.
There is no formula, only the body feels the temperature of the other party; there is no answer, love is the danger-ridden damage, which etches our respectful faces into embarrassing embarrassment. In a world where there is no right or wrong, what happens is God’s chess game. In the living youth and wife’s aging, the law is really too difficult. This is the relationship between phosphorus and air, burning until it decays.
It is reasonable to say that the courage of men to cheat is often derived from women's indulgence. Men are not really strong, but not many men can rationally face women who take the initiative to throw in their arms. We can notice the perspective when Anna and Stephen became an adulterer for the first time. Anna looked up at Stephen who was undressing and she slowly slipped down. The camera brought out an Electra and Father-killing Floyd with the meaning of worship. German theme. Anna's open arms are like a sacrifice to God.
In this group of shots, we can clearly see that Anna’s slightly raised body caters to Stephen, and the arms spread out from beginning to end take on the role of a lamb. After the end, Stephen’s lens looking at herself in the lens is like a torture of the self, and then, It is the way of no return. Such gaze is a farewell. After the mirror of the soul is broken, carnal desire instinctively dominates everything.
The sex directors of the two recorded in a realistic lens, the urgency of stealing pleasure and the madness in the shadows of the panes instinctively became the whole of the two people's world, and the horizontal stripes projected on them predicted the final verdict of moral taboos. However, Anna’s groan made the diplomat Stephen completely forget his role. In the face of sexual desire, everyone is equal!
The beauty of sex is all petty bourgeois imagination, and true sex is like Stephen and Anna’s violent physical bond, with The roughness and savageness of men bring the pleasure and excitement of women being abused. In the human world, women’s chastity is like Pandora’s box. Once opened, no one can do anything to predict the future. Revenge, plunder, intimacy and pleasure are intertwined in women’s lust, and countless men’s proud heads are flooded in the long river of lust. .
Just like Anna's inadvertent warning to Stephen: People who have been injured are the most dangerous. Indeed, every loss will demand today’s despair in the future, and there is no free lunch between the sexes.
Everything in life has a cause and effect. The director has repeatedly compared the boring life of Stephen's family life with the passion of Anna's desire. Before assuming responsibility, men are first slaves of desire. The same is true of politics. At the end of the competition for power, men are the slaves of desire. Only the physical perception can be felt personally. The opposite sex gives a man the warmth of motherhood. This is a dark heaven that normal men cannot escape.
This is Stephen's fate, and it is also the fate of most men. It comes from the spell in the Garden of Eden. It comes from our inescapable instinct. There is no reason why the firewood will not produce the raging fire until destiny turns all lust into the sad ashes of the past.
Talking about rationality in the sex world is mostly nonsense. One of
"Fire Lover", to be continued
[Appendix: Film Information]
"Fire Lover (Damage)" 1992 French/British
studio: Legend D9 XL-024
Director: Louis · Louis Malle
Starring: Jeremy Irons, Juliette Binoche
Length: 107 minutes
Language: English/French/English
Subtitles: Chinese/Japanese/Korean/ French/English
Easter Eggs: Korean Three Highlights + Day Two Highlights + Method Two Highlights
: Trailer, Interview with Louis Mahler (16 minutes, Chinese subtitles)
Personal evaluation: Artistic 8, Appreciative 8 (Post-New Wave important film)
2006 on December 20th 23:00 pm on Wednesday, 37 points among the clouds Jackdaws Abode
Kafka Lu (KavkaLu)
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