===Spoiler! Spoiler! ! But Hong Kong really, how can this special be transparent? It was taken against history! ! ===
If you touch the script, you will find that the text has its profound penetrating power, but in the momentary emotional mobilization, the sound, the picture, and even the smell will be more straightforward than the text. (The script... It's basically a silent film script...)
The 82-page script is presented on a 107-minute film. Through the pictures and music (Mr. Hans Zimmer has done a good job, I know that after reading the boring script, the soundtrack, especially the ticking of the seconds, has become a part of the narrative, so it really It was so overwhelmingly full of rhythm control and emotional mobilization, and there was no urine point (suffocating me) the whole time.
Dunkirk completed the second brush, the first standard, and the script in the middle, the second imax, and finally understood the meaning of imax 70mm. The sound effect of imax is obviously stronger than the standard, so this kind of immersiveness should be strengthened in imax 70mm. It is said that the veterans of the year were invited to watch the London premiere. After watching, people complained that the filming was similar to what we experienced, but the sound of the bombing was louder. (Yes, those who have really heard this scary sound are all dead).
This film should be 4D.
Let me talk about narrative first. Many people say that this movie has no plot. I think this is a misunderstanding. The movie does not exist for the plot. The success of the movie lies in whether the audience can hold their heads and stare at the stupid screen without blinking in two short hours. Most likely, it depends on the emotion of the plot to the audience. Mobilization ability.
Your teacher McGee’s plot triangle said that the big plot at the top corner of this triangle has the greatest chance of mobilizing the audience’s emotions, because there is a single protagonist and a continuous linear narrative, which means simple and good follow. In contrast, internal conflicts, small plots with multiple protagonists, and non-linear, incoherent anti-plots are basically the kind of literature and art on my face, I am cold, and say goodbye to the public.
The three lines of this narrative are in a middle ground.
It retains Inception's three unequal timelines, but it goes one step further than Inception. In addition to the basic linear development, there are scenes where several clues intersect before the three lines intersect, and there is a jump back and forth in time. I think this is to show the ambition of a more real, broader and complex scene than Inception. For example, at the port, the air line first intersected with the yacht line. Three Spitfires flew over the moonstone. The yacht captain Dawson told his son that Rolls-Royce engines are good, that's good. Then, the plane on the airline Jack Lowden was hit and crashed into the sea. Then when turning back to this line, again, it started when the captain's son saw Jack Lowden's plane free fall with tail smoke.
In addition, when Cillian Murphy was rescued first because of PTSD, he was unwilling to enter the cabin. Dawson told his son that if you were hit by a bomb, you wouldn't want it. Cillian Murphy said, it's not a bomb, it's a torpedo. It took several scenes before the torpedo hit the troop carrier. Later, Cilian Murphy was still in the boat directing the row back to the beach, and refused Tommy and Alex to board the boat.
But the plot, or the general cognitive drama conflict, is well unfolded in a single thread. I want to port my two favorite plot designs.
One is the fishing line. The PTSD army played by Cillian Murphy is unwilling to return to Dunkirk. Captain Dowson said, I understand what you mean. In the middle, I don’t want to go back-I must go back. This conflict started when the captain’s son locked Cillian Murphy in the cabin (the conflict goes up), then Cillian Murphy climbed out, PTSD intensified, and the cab competed for direction. George was accidentally injured and fell to the ground blindly. There is a dispute between the captain and his son whether they should return to the voyage (more on).
This is a traditional conflict, but Nolan did not write it low. Instead, restrained and refined. For example, he arranged for Cillian Murphy to climb out and grab the steering wheel with his bare hands, but before, they talked about guns. They all knew that the officer had a gun, but in this battle, he didn't use a gun to achieve this motivational event. In addition, after the captain’s son Peter learned that George had died because of a fight with the officer, the officer asked, is he okay? Peter had a look in his eyes that wanted to rush him, and in the end he just said, it's better.
A stronger (Low) plot will allow them to play one game and another game. But not here. The plot, in the end, serves the characters, and Nolan’s restraint in composing this scene, at least two or three aspects of the characters in this ship are written, which is a kind of memorable The sophistication and restraint.
The other is the ups and downs of the French Gibson. From burying the real Gibson, boarding the Red Cross ship hiding on the wooden frame of the plank road, was bombed, escaped, boarded the troop carrier, did not enter the cabin, not only saved myself, but also opened the cabin, saved Tommy, and was prevented from boarding at Tommy. After getting on the lifeboat, Gibson slammed the rope off the boat with great courage, and saved Tommy again. But Gibson eventually died in the missed fishing boat. Some people say that the French died inexplicably. I think the French died too well. He can be saved, it is the fulfillment of meeting psychological expectations, but you have to give an emotional shock and tell a simple truth: run for your life, no matter how smart and kind you are, you are counseled and refined, and you have done everything you can think of, if This is an exam and you get 100 points. If this is a game, you get the first place. However, in this escape, you will die for some reason. There is no reason.
Hans Zimmer's soundtrack is very full, almost never stopped, and the horror part has a few paragraphs that are in tune with Batman and Inception. I felt a little annoying when I brushed it, which caused the few lines in the silent film to be unclear. The second brush, especially the second brush after reading the script, feels that it must of course be full, because it bears the rhythm and narrative, not just to exaggerate the atmosphere. The ubiquitous seconds, sometimes long and sometimes short soundtrack, all help the picture complete the cutting of the rhythm. So when it is overbearing and a little annoying, you are also nailed to the seat and you didn't go to the toilet!
The only thing I didn’t like was when the English boats appeared in the telescopes of the officers who were guarding Dunkirk waiting for rescue. This was the point where the three lines finally converged, and it was also the place Nolan deliberately wanted to instigate, but each This intention was too obvious, which made this streamlined and restrained narrative produce an OOC effect. I felt embarrassed on both occasions!
If you say that the front is still for the emotional climax, then I would like to ask, what does it mean for Teacher Tang to make an emergency landing! When Teacher Tang’s plane finally lost its engine power and could only glide, the deep blue water, the tranquil beach, the stagnant water reflecting the setting sun on the beach, and Teacher Tang’s nervous respite, after more than an hour of rumbling, it was quiet and quiet. beautiful. Excuse me, why do you start with music at this time! ! We just want to hear Teacher Tang take a few breaths clearly ((ノへ￣,) cover your face)
finally! But the most important part! Teacher Nolan is still a chicken thief! Having an idea does not mean giving up the broad audience, otherwise the investment of 100 million will not be able to reach the global box office of 150 million, right? so! When you look depressed and can't stand it, personal heroism, the pride of England's national industry, and two handsome Spitfire pilots, Jack Lowden and Teacher Tang, appear! Both Jack Lowden and Teacher Tang's faces only glimpsed at the beginning, and then they wore a bit, leaving only their eyes. However, Jack Lowden was shot down and the cabin door could not be opened. He knocked on the glass. When he was rescued and took off his hat to reveal his golden hair, he was in shock. He wiped his face off and completely fell into the soup. It was neither cool nor cool. Floating on the surface of the sea without chic, said to Peter who rescued him, good afternoon! I decided to order a Blu-ray, did you make it, Mr. Nolan!
Even more, when Teacher Tang glanced at the baffle that recorded the fuel level three times in a row, when he decided to chase the German bomber instead of returning home, the handsome look in his eyes, and finally the fuel level was about to run out, for Chasing the Germans, driving the engine mailbox to the reserve file, and risking a mortal fate to make an emergency effort. When a unilateral stall and a sudden stop, how about two blue lights, teacher Nolan!
Nolan’s true love, Mr. Tang, finally made a forced landing by aerodynamic force and fired a shot to ignite the landline. In the scene where he was finally captured, the original script was written like this:
Farrier brushes sand from the wing of his beloved Spitfire, pulls his flare gun... He shoots into the cockpit.
In this movie, where Teacher Tang basically covered his face for only a few minutes on average, there was actually such an emotional and visual ending, accompanied by Churchill’s final speech:
Even though large tracts of Europe and many old and famous States have fallen or may fall into the grip of the Gestapo and all the odious apparatus of Nazi rule, we shall not flag or fail. We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender, and even if, which I do not for a moment believe, this Island or a large part of it were subjugated and starving , then our Empire beyond the seas, armed and guarded by the British Fleet, would carry on the struggle, until, in God's good time, the New World,with all its power and might, steps forth to the rescue and the liberation of the old.
Teacher Nolan, please look into my eyes and tell me Teacher Tang is not your true love! I beg you to get married, okay!
Although this is a fleeing movie, in the end Teacher Nolan still knows to prepare a little personal heroism for the vast number of young women with huge purchasing power!
To say that the uncomfortable place is probably also because Nolan’s precision, music, pictures, plot, everything is precisely controlling the audience-I know what you want, I know how to mobilize you- ---Hong Kong, this feeling of being controlled by others is actually not particularly good.
Movies are, first of all, a business, but at the same time, it is also an art. Making money is of course the first priority, but after making money, it is equally important to leave something behind. For the majority of the audience, it is good to watch cool movies, but after the cool is finished, you can still go up to one more in terms of the original aesthetic and emotional experience. This is a purpose that should be considered when doing this.
If you treat the audience as a livestock, the audience will treat you as a fool.
====
For those of you who have no characters in this film, come and see below:
Do you see the difference?
Farrier is not only an old cotton-padded jacket and sweater, but also crumpled. When he got off the plane, his clothes were crumpled and dirty, and he believed that this was an air force captain/lieutenant! (Guicai believes that the value of saving so many people is not as valuable as being an enemy!) Collins shouted in horror, when he is on me, Farrier said calmly and confidently, I'm on him.
Collins, a young, meticulous uniform tie, was fished out of the water in a dying state, floating on the surface of the sea in embarrassment, wiped the water from his face, the first sentence is good afternoon.
Person setting, person setting, person setting that runs all the time, then, the actor just needs to run according to this person setting. How can there be no role?
View more about Dunkirk reviews
