The shining appearance of the sun god, but always lingers with the sorrow that belongs to the moon, hidden under the soft moon, the innate melancholy sorrow locks the brows, under the frowning brows, the eyes reveal the helplessness and innocence, In the filthy world, holy as a sacrificial beauty
This film magnifies the beauty of Alan to the extreme, hides the evil and evil in his true soul, and conceals his innate beauty and self-knowledge of narcissism and pride. He suddenly rises from aloft to play the world’s flower-bearer pendant. Into the world, she became a fragile beauty with tears in her eyes forever, she became a French rose trembling in the drizzle, and Alan, who had thrown away her charm, was not a boring statue, but an angel who truly matched her appearance perfectly. Pure and looking forward to the ultimate destruction
The director’s love is also two-sided. Visconti’s lens lingers too much on Alan’s face, and my eyes blend into it to surround him in love, but this love is too turbulent, not only takes the eyes but also covers them. To my heart, I know that destroying is the ultimate beauty, but I can't help but care and even don't hesitate to bestow any perfection. Just like Alyosha in Karamazov, because he carried too much love, he was bathed in the radiance of the Virgin without a trace of dust and a lot of charm.
Therefore, the love between the author and the director is always so entangled, the love held in the palm of the hand is always shallow, crushed in the palm of the hand and crushed under the foot, it is a deeper greatness, only because of reluctance, Visconti chose to offer it. The altar worships forever. I would rather have a layer of veil that will never be lifted, or be reluctant to tear his appearance to pieces and bleed, reluctant to throw him into the world of all beings.
I hate the murderer who hurt him, and I can’t help but happily admire his broken posture. While learning the posture of the director holding him, I resent the director’s refusal to smash him.
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