WYSIWYG or civet cat for prince

Anthony 2022-01-13 08:02:27

Personally feel that the instinct is similar to an open ending? (Fog, instinct, in the middle manuscript, the gray line shows who the murderer is.) Although the murderer in this film is the writer Jack in the secret video, it feels like Jike changed the video. Dead Naomi, the old teacher, Vida, the old teacher hung up when he wanted to tell Sharon the gossip. Only the voyeuristic Jike can know what they were talking about; Vida also had the same timing, because the stairs light flashed. Take the stairs, and when the power goes down, the murderer is forced to do it manually. Only the original owner Jike can change the line. Moreover, if Jike only wants to kill Vida, it can be completely unconscious, but the intentional violent assassination is to attract writers Jack and Sharon. , If Jack should be the murderer, he will run away and won't talk to Vida again. Is the physical evidence for the arrest of Jack too obvious, unlike what he would keep for committing a crime? Jack’s suspicion is that Vida asked him for money. The two of them pretended not to know why at the party. Also, how did Jack enter Sharon’s room many times? Does he have the key? The key that is next to the cabinet belongs to Jack. It was Jike who wanted to blame. The film itself is good. Sharon turns from being a peeped prey to an addicted peeper. Jick manipulates her mind step by step, rationalizing her peeping behavior by warning her frivolous stepfather. But is Sharon's tolerance for someone who can't help but agree to enter the room with double standards from the start? Jike kept coming into the room to put things in for her, no, there was no privacy and horror, or it didn't matter if Sharon was indulging in love during the window period.

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Sliver quotes

  • Gus Hale: How can I call you when I don't know your name?

    Carly Norris: How can you not know my name if you knew my apartment number?

    Gus Hale: Our doormen are spoiled, five bucks gets you only half the information.

  • Judy Marks: Hey, isn't Pearl Jam some sort of oriental sex thing?