Personally, I really hate that in a special historical background and in a grand war scene, it’s not human nature but parental shortness. I always feel that there is a cut in the first half. The emotional line of the daughter of E is a bit abrupt. It feels like a count, but I can’t bear it. Lannetley’s halo is a must-see candidate for every play... Besides, it’s such a ridiculous reason for derailment, and the mood to watch is agitated. I don’t feel pornographic and obscene, and I don’t feel dirty. Suddenly I doubt my three views are. It’s not broken, it’s really amazing.
View more about The Aftermath reviews