This is good...

Pamela 2022-01-16 08:01:43

The big scenes are not bad, and the bed scenes are not bad, but why do you always feel like eating flies when you look at it?

The reason is very simple. Everyone on stage and off stage has a clear purpose and went straight to the subject of derailment.

Poetic scenes, historical backgrounds, historical events, and the culture of Hamburg, an industrial city in the north, can all be left behind.

Even the remuneration is a clear real price, well deserved. It is completely dew point price.

They all looked at the faces of kk and the handsome architect.

——The house and its elegant furnishings and installations are also one of the protagonists.

Of course it also includes the antique Steinway piano, which sounds great. The new film "The Female Conductor" I just watched is also related to this city. Her teacher is Carl Mucker, conductor of the Hamburg Philharmonic Orchestra. Muck

Perhaps it is out of the habit of historians. I am more interested in some spy sabotage in German cities after the end of World War II in 45 years.

It can be compared with China.

kk's husband is engaged in the arduous counterintelligence work, facing great pressure, and must endure the pain of his wife's derailment.

The role of K is really an inefficient lamp.

But who doesn't like to watch it? Smile.

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Extended Reading
  • Arne 2022-03-25 09:01:19

    Such a third-rate book. Dare to tell people that you want to discuss the contradictions and traumas after World War II. Even the triangle relationship is not as good as a soap opera... Daughter Freda's line can be cut

  • Deonte 2022-03-28 09:01:10

    It's a bloody love story. Inexplicably hooked up, this is too easy. The love was so hot that the heroine finally found her conscience to return to her husband? ? WTF? ? If it weren't for the love for the two leading actors, Samsung wouldn't be able to give it. PS: E big and Keira's sex scene is still very beautiful

The Aftermath quotes

  • Rachael Morgan: You didn't tell me what I was walking into.

  • Lewis Morgan: None of this is how it was supposed to be, and yet here we are.