Subway. "The Elevator to the Gallows", "Curiosity", "Black Moon"
watched "Curiosity" yesterday. Is this the most daring movie played by Louis Mahler in terms of ethics? He is very good at doing this, such as the inevitable "Love Severe Injury".
"The Elevator to the Gallows" gives me the feeling very similar to Antonioni's "Eclipse". It is also based on the fantasies that the dark night gives the film poet. Antonioni's "Eclipse" is empty and lonely. Someone has counted more than 161. There is no one in the camera, "the reality has no boundaries", it is one of my favorite works for the elderly.
With the same loneliness, Jean Moreau looks for her love in the empty streets of Louis Mahler at night. Her love is absurdly imprisoned on the "elevator to the gallows", but she is facing an imaginary betrayal. I always thought the title of this film was an abstract symbol, but in fact it was concrete and subtle, so black and dramatic. The soundtrack of Miles Davis was like a glass of diluted poison, prepared for sinners, and then drunk. Exhausted.
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