Generally speaking, I don't like Rodin's Lover film. I like Queen Margot the most. She is the most beautiful in it. She suits black and blue is also my idea at that time.
The piece of "Enchanted Possesion" once made her take the Cannes shadow, where she had the most bizarre experience, the most hysterical outburst, and also made the usual reserved blue burst out of unprecedented madness.
The strange thing is that I watched it once a few years ago, but I didn’t remember or understand what was said. At this time, the issue of the version becomes N important, because the monsters appearing in it are not particularly clear. The version is not clear. If you can’t see clearly that it is a monster with long curly tentacles and bleeding all over, you will not be able to understand what this film is about, and even compare it with Sophie Marceau’s "Loyalty", thinking it is a kind of A purely French emotional exploration film.
It may not be necessary to tell how bizarre the story is. Change to an American director and other actors, and it can be a simple thriller. It was about a couple who had a child and his wife had an affair. After the husband found out, the two quarreled. The wife always came back and left because "I had to leave." The husband kept finding the man who had an affair, but learned about her It has been a while since the man was looking for her. The husband found a private detective. The detective went to the building she went to and entered her temporary room on the second floor, only to find it was empty, with only a green bed and a monster in the corner. At this time, the wife killed him. Detective one. The head of the detective found something was wrong, and went looking for it, but was also killed. At this time, the two men over there were still looking for the woman, and the husband gave the address told by the detective to the man who had an affair. Everyone thought that the woman had other lovers. The man who had an affair discovered these bloody secrets, was wounded, ran away, and told his husband to call the police. But the husband did not call the police. After confirming the murder and the monster, he arranged an explosion and killed the man who had run away and was bleeding in the bar. Finally, the crazy couple evacuated the last body. The man witnessed the copulation between his wife and the monster, and planned to get rid of the police tracking together. Finally, the child born by the wife and the monster was born and grew up to look like a husband. The two of them were beaten to death by the police and died together.
Of course, there are some auxiliary plots that can be talked about. For example, the child’s kindergarten teacher looks exactly like his wife, but he does not have the beauty before madness, marriage, and sorrow. He deliberately puts on a white skirt and combs gentle braids. .
Ajani had a classic performance in the subway. Wearing a tight blue dress, because she was pregnant with the monster's child, she had a physical and psychological reaction. She convulsed in an unmanned tunnel, flicked her hair, flicked shopping bags, and splashed eggs and milk on the wall. , Pollock’s traces are really so shocking, and this beauty twitches and trembles in these colors and dirt, like a doll that is wound up, and finally, the blood flowing from between her legs and the wall on the ground The milk and eggs mixed into a viscous liquid, which was shocking.
I think the key to the appeal of this story lies in the handling of the couple's feelings. At the end, you will say that they love each other. In fact, this is not a question of having an affair, but a question of "possession" as shown in the title. The translation of the Chinese disc into "Devil" is obviously influenced by the alien monsters in it, but in fact, everyone in this story faces the oppression and orientation brought about by "possession." The love of the husband for the wife, the wife for the child, the lover for the lover, and the monster for the captive, all become such a tragedy because once possessed, it cannot end peacefully.
So this woman’s madness is quite understandable, you can burden it on the monster’s head, she is “enchanted”; but from another perspective, who can be certain or negative, we didn’t create this in our hearts. Monster's desire?
The performance of the actors determines the level of the film. Adjani is really an amazing woman, she looks innocent and dull, but also latent sadness when she sees monsters and murders. Her madness makes people think of sadness first.
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