Masterless Works is a paradise for authors and viewers who dissolve as fun. His coverage of death in World War II, the construction of the Berlin Wall, and the grand theme of artistic creation will make it easy for readers to enter the old trap of seeking seriousness after grandeur. Just like the socialist realism he satirized in the movie, all those who seek realism and serious history in the movie will be disappointed. The creation of opening a straight path to profoundness every three hours, and then turning on a path in the forest will make disappointed audiences sigh mediocre. What is mediocrity? The audience definitely does not consider themselves mediocre. I definitely don't think that the works I sincerely appreciate are mediocre. However, on the contrary, if works that break through the mediocrity are so easy to be recognized, they will be everywhere.
Contrary to what everyone thinks, the creators of the film have no strong interest in maintaining morality and distinguishing right from wrong. Even the characters in the movie don't have such strong likes and dislikes. Therefore, the author will not arrange the truth that emerges in the film, nor will he arrange the villain who cannot escape the law, nor will he arrange a young man who has become a master of art after being baptized in suffering. No, the creators are indifferent to all of this. It dazzled all audiences who would care about them. These audiences will be as serious and boring as reporters who ask young artists at the end of the film.
Is the author indifferent to this great tragedy in human history? You can also ask him questions. If you don't describe these history seriously, just put these characters in the movie into this background and bear the pain that inevitably occurs in this background, don't you think it's too "random"? How did the artist answer in the film? The stalk of the lotto number. In other words, the artist used that vulgar sentence: Everything that is real is beautiful.
In fact, this movie only cares about people and art. The pain of the boy’s aunt’s forced destruction of fertility and forced death is not as great as that of the five buses playing in unison in the square. It's not as meaningful as playing that important note on the piano by the aunt who faces the world freely naked.
The pain of death, love, abortion, power, partisanship, and unity are treated insignificantly and carelessly in the film. You think that it is the creator's gimmicks and mystery, lack of narrative ability, ten thousand reasons. There are so many reasons, that is, the sound that pops up on the opening piano, and the countless individuals, bombs, and years that have passed between the truth of the world that the young man has realized on the treetops of the wild grassy waves. None of these heavy perspectives can fully understand the grandeur of that note. Like the heavy, serious audience sitting in front of this film, they often misplace the focus. After all, the creator has already given a name to his movie, a masterless work.
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