Oliver Twist alone

When World War II broke out at the age of five, my grandmother was dragged into the gas chamber by the German army. She had to hide from Lao Dou since she was a child. It was destined that the protagonist in his movie would always run away or hide; when he grows up, he will have a successful career and marry him. This beautiful wife thought she would be safe from now on. But unexpectedly, the wife who had been pregnant for August the following year was murdered by a cult in a terrifying way. She was killed and killed by a corpse. In addition to being hit hard by the media, she would be wronged by the media. There was no immediate funeral, and the middle descended to the bar to molest the female model*. In 1978, I even buried myself in the dark side of the force — a thirteen-year-old slender girl was disturbed by a friend’s house, so he immediately rushed back to France, and never couldn’t. Half a step into Citigroup.

This side is still intoxicated by Tim Burton's ghosts, but the other side is eager to see the new work of the Polish driver, so he will inevitably compare the two. Lao Tian’s nightmare is always lively and happy, not lethal; the Polish driver’s nightmare is a truly terrifying scene: the corpse of "Heavenly Master Catch the Monster", the freak of "The Devil and Weird Baby" and Neighbors, the neighborhoods of "Strange Tenants", the German soldiers of "Piano Wars," and the protagonist at his mercy are always persecuted everywhere and have to endure fear and persecution alone. The devil will always be everywhere. A brief history above How much has explained the profound impact of his experience on his work...

Oliver Twist was already an orphan in the beginning, and he couldn't make half a friend in the orphanage (concentration camp?!), and he had to add a bowl of rice. He was beaten and lived in a coffin shop and was trapped in a coal room. So he walked seventy miles to Dunlun on two legs. Although he knew a large group of thieves, not many of them seemed to be deep friends and were always teased. Mostly, followed by a series of chasing, chasing and hiding. Oliva spent most of the time in a state of weakness, starving, water shortage, fever, gun wound, swollen face and swollen face, all tried, and occasionally met with the support of the nobles and always have no luck, the villain ( The devil?) He always refused to let him go. It seemed that he couldn't find happiness in him. He only saw loneliness. So I watched and slowly realized that Olivier was another Rosemary, Szpilman, or even the Polish driver himself. He ran away alone. , One person faces fear and joy, one person suffers.

The Polish driver said that his new work is to be filmed for children. I think it is for him to see. Because it is another semi-autobiographical work at all, it is difficult to say whether it is good or not, but I like this film. , Because I like all the works titled "Lonely".

*This summer, the female model showed up to prove that there was nothing wrong with that year, and the 72-year-old driver finally won the lawsuit and had money to pay.

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