When the first public account of this article is back, please contact: hehua499.
The first sex scene with Liang Runsheng
Let me start by saying that since Kwong Yumin himself likes Wang Jiazhi (also knows that Wang Jiazhi probably likes herself), why does he not want Wang Jiazhi in his first night? Give it alive to Liang Runsheng?
Here I have to admire Li Ang's hotness. Who did he choose to play Kwong Yumin? Wang Leehom.
What kind of image is Wang Leehom like? Think about it, everyone, in terms of temperament, yes, absolutely top students, from head to toe are top-notch angry qualities, with the clean, reserved and "sense of honor" of top students (under the gossip, please take a look at Wang Leehom's "Kangxi is Coming" "I have forgotten which issue of the video, it’s really an awkward chat, Wang Leehom can’t give up his figure at all, holding it up).
And Kwong Yumin’s most typical is this kind of "honor of top students" (that is, student spirit), but Li Ang cleverly set it into a political story in troubled times, this kind of "sense of honor" seems very naive. And weak and selfish, but if you put it in a small and fresh campus story, isn't it a good student like Kwong Yumin and the main actor of the director of the student repertoire?
The two girls in "Lust Caution" like him, and Lai Xiujin still eats Wang Jiazhi's vinegar, which is normal.
Making patriotic drama propaganda (especially the scenes, when Lai Xiujin was chatting with Wang Jiazhi on campus, Lai Xiujin said he had to take care of everything.), Kwong Yumin actively took the lead in the assassination plan, except for the murder of his brother, and the atmosphere at the time In addition, what is more important is the childish sense of honor of this top student, and sacrifice of me for the sake of revolution is what kind of mental paralysis.
So, pay attention to the assassination plan. Kwong Yumin took the lead to connect with Qian Jiale's role. Kwong Yumin was mainly involved in the relationship, but Liang Runsheng was the one who stayed with prostitutes. Just kidding, how could Kwong Yumin, a top student like Kwong, go to prostitutes for the sake of idioms? impossible!
Even, pulling back to the previous scene, when Wang Jiazhi was in the car at night, several boys snatched the cigarettes that Wang Jiazhi had smoked, but Kuang Yumin did not. The same reason, he did not want to, but for the sense of honor. Unwilling to pull down that face.
In the same scene, when Mrs. Yi met Kwong Yumin for the first time, Wang Jiazhi said that he was a cousin who was teaching in the country. Mrs. Yi said something worthy of fun. I said this person has temperament, isn’t he a college student? Mr. Teach.
Who is Mrs. Yi? Seeing how many people are accustomed to high-ranking officials, she praised Kwong Yumin's temperament, certainly not really temperament, plus the following supplementary sentence, which means that Kwong Yumin has a naive student spirit in him. Out.
And the scene of killing Qian Jiale is really breathtaking. A group of people kills a person, and it is so embarrassing to kill, especially the close-up of Kwong Yumin. Kwong Yumin took a knife and stabbed it down. As a result, he was panicked and injured himself. , The pain was throbbing. It can be imagined what kind of an assassination drama this is.
So when it comes to deciding who Wang Jiazhi will sleep with, Kuang Yumin will not take the initiative to mention it.
The other three men, one is Liang Runsheng (has experience in prostitution), one provides money for this operation (is the funder), and the other pretends to be Mr. Mai (Wang Jiazhi’s fake husband). So just a few reasons, what does Kwong Yumin have? Only Wang Jiazhi’s vague expectations cannot be brought to the table, and Kuang Yumin is still an organizer, and it is easy to fall into the "power for personal gain" tongue, then with Kuang Yumin’s student spirit, even 1.1 million people feel uncomfortable in his heart. Can only give in.
Moreover, he himself really felt that this was a necessary sacrifice for "patriotism." Wang Jiazhi sacrificed his body, and he silently sacrificed his love.
As for the other three candidates, how did they find Liang Runsheng the least useful in the end?
This is also quite interesting. The boys should have been competing secretly. From Liang Runsheng’s character, they should be absolutely passive and obey the arrangement (he is like this in the whole play). Will it be a "snipe and clam fighting fisherman" What about profit? It's similar to that since I can't get it, I'll just give you the worst person to ravage you. I'm not too bad. It's even possible that Kuang Yumin has this kind of psychology subconsciously.
And Lai Xiujin, who is the only girl-dominated person, is jealous of Kwong Yumin and likes Wang Jiazhi, and even pushes him, giving you the worst, revenge on you, so the first night power fell to Liang Runsheng. Otherwise, the payer was not paid, the famous person was not, nor the affectionate, the last one who had a prostitute would be, which is too absurd.
From the structure of the script, it is very interesting to choose Liang Runsheng. Give Wang Jiazhi the worst Liang Runsheng. He is awkward and only stubborn. The sex technique is embarrassing. Liang's only experience is that prostitute. The first scene is like a nightmare. Liang Runsheng In a hurry, Wang Jiazhi asked Wang Jiazhi to remind him to turn off the light, and Liang was so embarrassed that he drank before daring to go to bed.
Pay attention to the second sex scene. Liang said that the bed scene in which Wang was a bit reactive was a female superior, that is, it was still not Liang Runsheng’s sexual skills that made Wang Jiazhi happy, and after throwing this "low index", he immediately went to Wang Jiazhi’s bed. It is Mr. Yi, a veteran in love, who can be regarded as a crazy increase in the index.
In fact, this is also an element used in the film. Wang Jiazhi took a photo with Mr. Yi for the first time. Mr. Yi sent Mrs. Yi into the car, wearing sunglasses, only half of his face was exposed. After Wang Jiazhi went back, he said, This person is different from what she imagined. This remark is meaningful.
This sex scene is also, with Liang Runsheng's foreshadowing, Mr. Yi's outstanding performance is contrasted. (That is in the legend, there is no harm without comparison.)
As for Wang Jiazhi, why didn't he choose to reject Liang Runsheng? As a girl, she could not say that she wanted to challenge Kwong Yumin to claim her first night's right, especially when the other party did not speak, and when she came back, they had already chosen someone for her privately and changed her choice. Is unrealistic.
In other words, if she rejects Liang Runsheng, it is tantamount to withdrawing from the action. This is fine, but she doesn't.
For one thing, she was a little bit obsessed with Kwong Yumin. At that time, she was willing to support his revolution.
What's more, if she withdrew from the action, Wang Jiazhi would be abandoned again. Her father left with her younger brother and remarried. This girl has been abandoned all the time and will subconsciously avoid this situation.
Wang Jiazhi is good at acting. In the first scene when I saw Mrs. Yi, Kuang Yumin was dumbfounded and he was seen through. Wheat sat beside Wang Jiazhi in a cold sweat, and could not speak a complete sentence. Only Wang Jiazhi was like that. She's calm, as if she was born a good actor, a good character, she has seen so many worlds, and she hasn't, but she is so comfortable and appropriate. Acting will be addictive, and the acting will become more and more real. When Wang Jiazhi, who played Mrs. Mai, returned, she sat on a stool and took off her stockings, smoking, even Lai Xiujin was frightened. Now that the play has reached the stage where it is about to break the first night, let's go on.
Finally, we replayed a close-up. On the night Liang Runsheng went to prostitute, a group of people stood downstairs, two girls, Lai Xiujin turned back, and Wang Jiazhi stared at the prostitute’s window in a dream , love and sex , maybe, Wang Jiazhi has never been afraid. She matured much earlier than her companions. Here again, it caters to what Wang Jiazhi said after singing a small song to Mr. Yi. I know that you want me to be your prostitute, and you cleverly come back.
When people watch "Lust Caution", it is easy to ignore Kwong Yumin. In fact, he is also growing up. Three years later, he kissed Wang Jiazhi, and Wang Jiazhi pushed him away and said, in fact, you could do it three years ago.
Top student, Kuang Yumin, who is always dodging, suddenly changed his temperament? Because after three years of hard work, the naive sense of studentliness of the past has quietly faded, and the feelings of the past are full of regret.
The second sex scene was also with Liang Runsheng. . . Briefly.
The second sex scene does not mean that it is a second sexual relationship. It may be done several times in the middle, but some of it is not shot.
Back to the scenes of the second sex scene in "Lust Caution", there are three functions.
As long as the objective needs of the story’s logic are met, if you want to act as a mistress, it’s impossible to have only a little experience in the first night. Someone said, then "Mrs. Mai" can't say that Mr. Mai is not good, Wang Jiazhi can not lose his life, but pay attention, Wang Jiazhi It is very illogical to hook up Mr. Yi as a stunner, and someone who can do this kind of thing turns out to be a virgin.
At least she should be skilled or know the role of eroticism.
First, it meets the needs of the story's theme. Through Wang Jiazhi's performance in several sex scenes, she explored the inner needs of women's "sex and love". Therefore, in the second sex scene, Wang Jiazhi obviously had a different performance from the first scene.
One conforms to the character's psychological logic. For example, if you plan to do something for the day today, many people will think, shit, after a waste of the morning, anyway, the plan has been messed up, so just let it go in the afternoon. That is to say, breaking the jar and falling. Anyway, I have done it the first time. The chastity is long gone. The second time is nothing. Why do people say that one infidelity is not used a hundred times? Because often the first time I have had enough of the greatest torture and entanglement, once that step is taken, it means that the fig leaf has been ripped off.
Therefore, Wang Jiazhi and Liang Runsheng's second sex scene was a natural fit.
After these two sex scenes, we should pay attention to one detail. When Wang Jiazhi heard the phone ring, she almost rushed out to answer the phone, and then heard Mrs. Yi say on the phone that they were leaving Hong Kong, Wang Jiazhi was almost lost. Yes, because, for this so-called seduce goal, I even sacrificed my virginity, I gave it up, and you fucking told me it was all over.
This is disheartening.
I think everyone can empathize with this psychology. Why is it said that "Lust Caution" was shot well? This is also one aspect. Its character psychology is very correct.
Next, I will focus on some sex scenes between her and Mr. Yi.
Mr. Yi and Wang Jiazhi are divided into three years ago and three years later .
Three years ago , the two did not have sex.
But the film is also very exciting.
First, did Mr. Yi find out that Wang Jiazhi is not "Mrs. Mai"? This is obvious.
A group of people like Kwong Yumin and others who were so naive that Mr. Yi did not take away from Shanghai (the character of Qian Jiale) all discovered their conspiracy, not to mention the old fox, Mr. Yi? In fact, Wang Jiazhi is exposed to too many places. Of course, this is not to say that Wang Jiazhi is a bad actor. She is already in her own atmosphere, and she has performed well enough, but there are some things that she can't perform.
The film gave two close-ups, twice drinking coffee and forgetting to wipe off the lip marks, and again and again, what was the point of the mistake? Wang Jiazhi doesn't understand the etiquette of the upper class at all, and lipstick cannot be left on the cup. She was wrong the first time, but she didn't even know it was wrong, and the second time she had coffee with Mr. Yi, she committed it again.
It was also very stupid to write the phone number to Mr. Yi. She was so stupid that Mrs. Yi was stunned. She was always a little surprised and said "Mrs. Mai, I have your call". She is used to it. At the mahjong table, we fought openly and secretly with those women, and they met each other. The ladies at the mahjong table looked at Mr. Yi a lot, but Wang Jiazhi is too jerky, and her jerky is not because of her acting skills, but It stems from her simple experience.
Her feelings are only that of the indistinct Kuang Yumin, and her sexual experience is only a few times confused with Liang Runsheng. This kind of difficult disguise is too difficult for her.
Therefore, Mr. Yi, a veteran in love, and such a wary old fox, is even more impossible to hide it. He touched her a few times in Hong Kong after chatting with her.
But then again, Wang Jiazhi happened to win because of this "jerky".
For someone like Mr. Yi, when he sees Wang Jiazhi’s “playing”, it is not so appropriate as if Tony Leung’s deity is watching Huang Xiaoming’s act. The next time your evil charm will appear on the corners of your mouth, your smile will appear accurately. Seconds and the curvature of the corners of the mouth, he could predict, it was similar to Zhang Ailing's reading of an outing composition written by a third grader in elementary school.
This is too relaxing, okay?
Therefore, what he said with a smile to Wang Jiazhi was actually a very relaxed man trying to tease a woman. For example, when he was in a coffee shop, he said to Wang Jiazhi that everyone had only one thing in their eyes when I looked outside, and that was fear. , You are different from them, you are not afraid, are you?
Isn't Wang Jiazhi afraid? Obviously afraid to tremble.
Mr. Yi is all ironic here. Of course he knows that Wang Jiazhi is afraid in his heart, and his eyes always run to the side. This sentence is the opposite, and there is also an implication. People outside make me scared, but you don't.
Yi has a high level of mental pressure and lives in depression every day. Even when she returns home, the women at the mahjong table at home are fighting fiercely, turbulent and exhausting. Only this is Wang Jiazhi, who pretends to be a hunter, but It was an obvious prey, and it fell into his own hands step by step. For Mr. Yi, this process was easy.
Including Wang Jiazhi watching the cheongsam with him for the first time. Wang Jiazhi first wore a plain and dignified cheongsam, and then changed the dark blue cheongsam with a transparent chest in front of him. It was specifically shown to Mr. Yi. Of course she wanted to fight a psychological battle with him, and she was prepared in terms of clothes, but it was a pity that such student-like methods were too childish.
Mr. Yi would be tempted by her teasing, but more often, he felt funny in his heart.
It was the first time to send Wang Jiazhi home. Kwong Yumin waited at the door and was in a panic. Mr. Yi knew that he would not enter this door early in the morning. In the same way, some people said that it was Mr. Yi hesitating to enter. I thought it was not. He would not enter at all. He was just teasing Wang Jiazhi.
Sure enough, everything in the camera, Wang Jiazhi walked in limply alone in the end.
It is true that Wang Jiazhi is a stunner, and Mr. Yi has a desire for women, but the reason why Wang Jiazhi has become a woman who has not succeeded in Hong Kong or even had sex, three years later in Shanghai, Mr. Yi can recognize it at a glance. It's not just a stunner.
Wang Jiazhi did not understand that her tight-fitting cheongsam, her sexy stockings, and her attractiveness to Mr. Yi were actually not the most critical point. What she really attracted him was that she was a pure and innocent person but pretended to be a prostitute. .
This sense of gap can easily arouse men's desire to conquer. The same is true for the prostitutes in "The King of Comedy" pretending to be student girls to beg guests. That's why Cecilia Cheung wants to find Chow Xingchi to learn to perform.
Taking the coffee shop as an example, Mr. Yi, who was used to seeing Fengyue, only saw the lie she weaved from the detail of Wang Jiazhi drinking coffee and forgot to wipe the lip print, and judged that she had a purpose to him, but she was a "novice." "This objective fact, however, the "red lips" on the coffee cup, the lady in cheongsam, the "younger" who awkwardly competes with the "old fox", are all these sexy?
Sexy sometimes lies in "unskilled."
This kind of unskilledness is also found in Mr. Yi. For example, Wang Jiazhi said that she likes to watch movies, while Mai doesn't like watching. Mr. Yi smiled and said that I don't like watching either. Wang Jiazhi went along and said, Mr. Yi is a busy man, so how come he has time to watch movies. Mr. Yi said lightly, no, I'm afraid of the dark. To beware of Mr. Yi, this kind of revealing behavior is a kind of "unskilled", not the normal state of the characters, so it is a sexy shot, and it also makes the audience worry about it.
Your lips are extremely beautiful, but you can't kiss it yourself, so I will help you kiss it, because of the "lie" that has been seen through, and because of this unconsciously "leaving lip mark" and moving.
The key sex scenes in the film are all placed three years later.
First round:
The assassination plan came to an end, and Wang Jiazhi returned to Shanghai. The changes in Wang Jiazhi in the past three years are very big. On the campus back then, Wang Jiazhi, who had longing in his eyes, disappeared, and Wang Jiazhi who appeared to be tired and indifferent.
Three years ago, because her father didn't take her away, Wang Jiazhi, who was crying with tears and snot in the cinema, sat in the cinema three years later, silent and calm. Three years later, for Wang Jiazhi, her aunt bought the house his father left for her to study. There was no trace of family affection, but Wang Jiazhi didn't show her mind.
But Lai Xiujin found her in the movie theater and told Kwong Yumin that Kwong Yumin came to her. Wang Jiazhi said that we were really absurd back then, especially me. This is something she couldn't discover three years ago. But then Kwong Yumin asked her to participate in the action again, and Wang Jiazhi still agreed.
There is a view that Lai Xiujin has harmed her again. I don't think it is true. Lai Xiujin can't control Wang Jiazhi. At most, she just contributed to the situation. The main thing is that Wang Jiazhi himself agrees.
So why does Wang Jiazhi still agree? At this time, Wang Jiazhi had the usual "biteness" in Zhang Ailing's novels, just like the Weilong in "First Incense", and the same as the tassel in "Love in the Fallen City". They knew everything in their hearts and knew that life is painful. Yes, but to be able to do a scene, even if it is a background color.
Wang Jiazhi's life has been deserted so far. If he can perform a thrilling drama next, it might be interesting. (Will Tang Wei play well? Look at the two contrasting eyes, three years ago and three years later. The second one is much more quiet)
After entering the Yi family three years later, Mrs. Yi said something interesting, alas, nowadays, you can't sing a drama well, and you can't sing "Wujiapo" on the stage.
Everyone, what kind of drama is "Wu Jia Po"? It is a classic opera of Peking opera. Xue Pinggui has been in Xiliang for eighteen years and came back to visit the story of his wife Wang Baochuan. The core of this story is the reunion after a long absence, and the love exploration. Xue Pinggui explores whether Wang Baochuan has changed his heart, and if he has not changed his heart, When the husband and wife meet, if they change their hearts, aha, let's go! And the reason for the need for "emotional investigation" is because they were affectionate to each other at the beginning, otherwise, why bother to explore again?
Mr. Yi and Wang Jiazhi had been separated for three years. It was the drama of the long-distance reunion. When Wang Jiazhi briefly nodded towards Mr. Yi at the mahjong table, the love investigation began. This also indirectly shows that Wang Jiazhi and Mr. Yi are affectionate to each other. Even if it's just a lightness.
The specific performance of this "Love Detective" is in the first sex scene between Mr. Yi and Wang Jiazhi .
Three years, Wang Jiazhi has changed so much that Mr. Yi can't see it? Pay attention to what Mr. Yi said. Wang Jiazhi said that he didn't bring him a gift. Mr. Yi said coldly as he walked away. Mr. Yi's words can be described as a meaningful sarcasm.
The filming of this sex scene is actually very horrible, as someone said, like a suspense film, Wang Jiazhi went to the room and observed it, but his hair was standing upside down. When he turned his head, he saw Mr. Yi sitting on the chair behind him with a cold face, Wang Jiazhi. He blurted out "Don't scare me like this in the future." Then Wang Jiazhi walked over and made almost very explicit movements, using her thighs to rub against Mr. Yi’s thigh. Judging from Tony Leung’s performance, Mr. Yi’s muscles and bones were violent. This was obviously not a seduced performance, but Threatened performance.
Then Wang Jiazhi walked away a few steps, and began to pull up the cheongsam, revealing the stockings, glaring like silk, to seduce Mr. Yi, and Mr. Yi rushed over and grabbed her by the hair, paying attention to his next movement, which was to grab Wang Jiazhi's hand. , And then tore all her clothes and her panties out. Is this a sexual impulse? No, this is the usual spy inspection procedure to see if there is a gun or knife.
As for why Mr. Yi did this, it is easy to understand. First, he himself said later that now he is only waiting to die, and those people still have to eat, drink and have fun. It seems that this kind of life is still very long. It was not like that three years ago. The political situation is not good for him, and he is more vigilant. The second is Wang Jiazhi’s change. When he saw Wang Jiazhi last time, Wang Jiazhi was still a virgin. Although he wanted to seduce him, he still had a tone of voice, but this Once, Wang Jiazhi directly took a very explicit action, which made Yi heightened his vigilance.
Then came the savage sex scene, but pay attention to the changes in the scene afterwards, Wang Jiazhi collapsed on the bed, his clothes disheveled, and Mr. Yi was sitting on the chair by the bed with a gloomy expression on his face. What was he thinking? Attention, immediately after Mr. Yi got up, made a gesture, threw Wang Jiazhi's windbreaker on her, said "your windbreaker", and then went out, and a smile flashed from the corner of Wang Jiazhi's mouth. The behavioral psychology of these two people is quite interesting.
For Mr. Yi, what he thought about in the few minutes of silence while sitting in the chair is very much room for pondering. I personally think he was in a state of uncertainty. I thought she would come prepared three years later. She really only brought her person and body. (Overturned his ironic sentence "As long as people come").
So after this violent act, she moved with compassion, so she threw the windbreaker over, which meant she didn't want to embarrass her like that.
And Wang Jiazhi’s smile, first, the fact that she paid a huge price for it really happened, at least I seduce this person to the bed, so that the dedication to Liang Runsheng made her feel worth it in her heart. Second, it is probably the same as described in Zhang Ailing’s original work. Through sexual intercourse, she washed away her depression and dullness, especially for Wang Jiazhi, who had already experienced love and love three years ago and had been empty for three years. It’s normal to wash away the emptiness at this moment and feel satisfied.
The two met on the second day after the first sex scene. It was very interesting, and there was a rare embarrassment between the two. A true pure artillery friend will not have this embarrassment.
The second sex scene:
The first scene after the first sex scene was Wang Jiazhi and Mrs. Yi waiting to listen to Suzhou Pingtan. Mr. Yi came in and said that he was treating guests next door and accompanied his wives to listen to a Suzhou Pingtan.
In this scene, there are words in the words, and the occasions of women in the presence of Mr. Yi are always surging. It is as exciting as the mahjong scene at the beginning of the movie. It seems familiar but different. From this scene of Wang Jiazhi's performance, go back to the movie. At the beginning, you can clearly see the changes in Wang Jiazhi in the past three years (interrupting with emotion, Tang Wei is really well trained in "Lust Caution"). Wang Jiazhi said that those words back to Hong Kong were clearly for Mr. Yi, and Mr. Yi also knew it. , But pretended not to know.
In the Suzhou Pingtan song "Yang Naiwu and Xiao Baicai", the transcript of "Want to Tell the Heart Without a Voice" can be said to be the best narration of this play: one is silent and confused, the other is deeply pretentious, and the other The body of the concubine is like a floss, one is like water and wants to die, one says "please", and the other "um".
"Fang Chao" and "hypocritical" are completely portrayal of the feelings of Wang Jiazhi and Mr. Yi who are alive and well.
In addition to this section of Suzhou Pingtan, Li Ang also arranged a section of Pingtan in the film, which is an excerpt from "Jiangge Wenling" in "The Palace of Longevity". "There are few people walking under the Emei Mountain, and the bitter rain and the wind are blowing. Xiaoyao sits on the emperor Tang..."
The arrangement of the pingtan is a bit interesting. The content of the pingtan "Jiange Wenling" mainly talks about the desolate mood of Tang Minghuang living in the palace alone and his longing for the imperial concubine after the death of Concubine Yang at Maweipo.
I once heard a lecture on opera by Fu Jin. Teacher Fu said an interesting point. He said that "The Palace of Eternal Life" is really a very strange but touching love story. When Emperor Ming Yang was alive, it was secreted on July 7th. Oath, when jealous and ran back to her mother’s house, the emperor laughed. He loved her and cried and made trouble. At that time, it’s hard to say the emperor’s love. The emperor’s true love is the death of a noble concubine. Happened in the thoughts afterwards.
Why did Ang Lee arrange this pingtan? I think he may have the same understanding as Teacher Fu Jin.
When Wang Jiazhi was alive, Mr. Yi did not really realize his own love. His feelings for her started from the moment he weakly denied that the "pigeon egg" was his thing after shooting her. On the bed where Wang Jiazhi had been sitting, the eye sockets started to turn red.
When Tang Minghuang was in "Jiange Hearing the Bell", his political career was over, and he sacrificed the woman who truly loved him. The same was true for Mr. Yi. The use of this pingtan made Mr. Yi feel that "this love lasts forever". Under the warm appearance, Ang Lee has a very hard heart.
As for men, they are slower to capture their own emotions than women, which is also in line with the logic of life. Men have too many so-called "big things" to be busy, including now, raising a family, and all kinds of things, which interfere with their emotional attention, and sensitive emotional animal women are more aware of this aspect, and they are all in life. There are many examples. Many men only react after their girlfriends leave. It is very painful. When women are determined to start a new life, the recovery rate is relatively fast. This means that men’s "ex-girlfriends" are terrible. The reason why a woman’s "ex-boyfriend" is not caring at all.
At least Wang Jiazhi soon realized that she couldn't hold it, and she was going to fall in love with Mr. Yi.
The next few shots are very exciting.
Let's take a screenshot to appreciate it.
The camera showed Wang Jiazhi walking, going downstairs, opening the curtains, closing the curtains, and listening in front of the door. In less than a minute, all of Wang Jiazhi's inner drama came out, waiting anxiously and worrying about it.
This is not the most exciting, the most exciting is the mirror on the wall at the turn of the stairs.
Think about it, everyone, besides making people look at makeup, what does the mirror mean? Jinghuashuiyue is one kind, and I don't know myself, it is also one kind. Wang Jiazhi occupied both. Here, Wang Jiazhi has forgotten her role as an assassin. She was involuntarily brought into the "trance" situation. The "mirror" is a wonderful prop.
This time is more exciting.
The servant of the Yi family came and had a conversation with Wang Jiazhi. "Mr. Yi and Mrs. Yi haven't got up yet?" "Mr. went to Nanjing for a meeting" "How many days to go?" "I don't know."
After reading this dialogue, it is not difficult to imagine Wang Jiazhi's "trance" to what level. The whole attention is on "Mr. Yi". The conversation with the servant always talks about the male host who has housework, which is quite in itself. Inappropriate and inappropriate behavior.
But this is not the most advanced place to deal with, let's take a look at the shots given by Ang Lee. The servant appears in the mirror, this is very advanced, because it gives two perspectives at the same time .
One perspective is Wang Jiazhi's perspective. She has no intention of trying to figure out the servant's psychology, and she is not in the state at all. The servant's fuzzy face in the mirror was actually seen from Wang Jiazhi's trance. One perspective is the servant's perspective. In her eyes, this "Mrs. Mai" is in despair, which is also quite interesting. She actually took it seriously when she acted every time.
A mirror has completed two viewing angle conversions at the same time, beautiful.
It's not over yet. With everything on the camera, Mrs. Mai went out and told the servant to take care of Wang Jiazhi. Here is the servant. Of course, this "care" is also quite interesting.
Then, where did the lens go? Turning to Wang Jiazhi upstairs, she pulled the curtains and looked out. In other words, there are so many things happening outside, and Wang Jiazhi is still unaware of this kind of "anxious" waiting.
Calculating the waiting process, starting from 1:36:50 and ending at 1:38:03, it took more than a minute to explain Wang Jiazhi’s psychology, the servant’s contemplation of Wang Jiazhi, Mrs. Yi and the servant’s " The exhortation of "there are words in the words", the content covered is so rich.
Compared with those movies that can’t tell one thing in twenty minutes now, it can be seen that Ang Lee is awesome.
"Actressing" must consider the character, what class and temperament does this character belong to, and the more important thing is the order of values (primary and secondary relationship) in the eyes of this person, such as Chen Shimei's "prospect", such as Lin Daiyu's "idiot", only to grasp this point , In order to play the unique character of this character.
After all, human beings are similar, and finally go to a different path, which is caused by this difference in "primary and secondary values".
Starting from the second sex scene, Wang Jiazhi's "parts" can no longer go on, and the values of "characters" have been reversed. Sexual seduction, hunters, spies, these first things have given way to "love".
That is what Tuo Zhonghua described to Kwong Yumin, you underestimate Wang Jiazhi too much. The most powerful thing about her is that she regards herself as "Mrs. Mai" as a whole. Only in this way can she succeed. He was half right about this. She succeeded by "investment". He didn't expect her to be so thorough, and in the end she would rather "get life for life."
When a "woman" is addicted to love, the characteristics are very obvious.
One, "duplicity" and "pretending to be pretentious".
When a woman is unsure about falling in love with a man (especially someone who shouldn't love), "covering" will definitely follow.
In the Hong Kong movie "Doctor Rogue", Liu Qingyun likes Tong Ailing and scolds Tony Leung's Liu Wen, saying that every time she meets, she only chats with you and doesn't say a word to me. Liu Wen said, this is a woman. A table of people, she talks all of them, but she won’t talk to you, you can have a "drama", understand?
So was Wang Jiazhi. There were several action movies in which she was sitting on the bed and tidying up her suitcase. This time she was the most flustered, most disturbed and pretending to be calm. When she heard the sound of the door, Wang Jiazhi's whole body trembled. When Mr. Yi embraced her, Wang Jiazhi said, "I hate you, believe it or not, I hate you".
This kind of "duplicity" is the normal state of a woman towards the person she loves.
Second, it becomes "two-sided."
There is both a "mother" side (love and compassion for men, it seems that Qian Zhongshu is called Yang Jiang "mother"), and there is a "daughter side" (willful and coquettish towards men).
In the second sex scene, when Mr. Yi put his head on Wang Jiazhi's chest and said, "It was not like this three years ago," Wang Jiazhi's reaction was to hold him tightly and say, "Then you must be lonely." "Love and pity" is obvious.
After that, it can be clearly seen that Wang Jiazhi's "willfulness" to Mr. Yi has been greatly increased. Mr. Yi burned the documents in the middle of the night, and Wang Jiazhi broke in. Mr. Yi was half-truth and half-hypothetical work. Wang Jiazhi’s reply was a little bit angry. More obviously, he was waiting for Mr. Yi in the car. Wang Jiazhi first told the driver that he would not wait to go back. After two hours, the driver looked back in amazement. It was obvious that she had never been so presumptuous before.
Then he waited for Mr. Yi to get into the car with a gloomy face, and reached out to touch Wang Jiazhi's thigh. Wang Jiazhi had an evasive action and was unwilling to "it's cold outside, you can let me wait inside."
This kind of intimacy is definitely established when women start to make demands on "men." If a woman is very kind to you, it means that she really can't talk about loving you too much.
Third, the world suddenly became very small, and she only saw things related to him.
There was a mahjong show after the second sex scene. Mrs. Yi and the others did not talk about Sichuan cuisine, Hunan cuisine, or other restaurants this time, nor did they talk about grain, oil, socks, or diamond rings. They only talked about "Magu’s birthday", so and so. His wife gave birthday greetings to Mr. Yi, and Mr. Yi went to Nanjing and so on. Is the wife really not talking about anything else, only about Mr. Yi? No, it was Wang Jiazhi's ears that only heard what was related to him, and everything else was automatically skipped. The whole picture was shot from Wang Jiazhi's perspective.
In the "street" scene with Kuang Yumin in the cinema, Wang Jiazhi was confused and tranced, and the entire intelligence was fragmented. Summarizing the content of her intelligence, I can't hold it if it can end soon. He should have other women, jasmine scent, etc. He gave me an apartment. All this information is related to Mr. Yi, but only the apartment is related to "work".
This is why Kwong Yumin sees her eyes are broken, Kuang Yumin feels Wang Jiazhi's change.
When Wang Jiazhi and Liang Runsheng were allowed to sleep, Kwong Yumin had no objection. The leader Tuo Zonghua burned the letter written by Wang Jiazhi to his father. "There is a conflict. Wang Jiazhi can't bear this kind of pressure. Now is the time for us to take action.
Is he really afraid that Wang Jiazhi can't bear this kind of pressure? Obviously not. And when Wang Jiazhi said that Mr. Yi had penetrated her body like a snake and also got into her mind, Kwong Yumin dedicated the bravest kiss scene in the whole film, which is derived from the protection mechanism of men’s "love" , And it was the "body imprint" of the learned Mr. Yi (he never figured out how to love and protect Wang Jiazhi), and strongly kissed Wang Jiazhi.
The kiss scene was very embarrassing. In a low space, Kuang Yumin's head was on the ceiling, and he could only dangle to kiss him, and Wang Jiazhi pushed him away. Three years ago, you could. Some people say that Wang Jiazhi said this sentence with hatred. I think it is not. It is not hate. She doesn't even love him anymore. How can we hate it? It's just melancholy, remembering the old joy like a dream, three years later you are not you, and I am not me either.
Three years later, Wang Jiazhi's lips belonged only to Mr. Yi.
The third sex scene and the ending:
In this scene between Wang Jiazhi and Mr. Yi, if Wang Jiazhi is “gradually engaged”, then Mr. Yi’s main performance is “relaxing guard”, and in the end they all move towards a common goal, returning to the “self” in the erotica, what kind of agent, what Assassins, there is no more classification of people and people, there are only men and women who are fearful and greedy.
Mr. Yi's performance was clearly felt from three sex scenes. (From the close-ups of these three sex scenes, I suggest you to watch Tony Leung’s performance, it’s really amazing, delicate and accurate)
"Sexual" pleasure, the ultimate goal is "emotional communication."
This sentence is the same as Lin Huaimin's talk about art. All the beautiful art in the world is the exchange of human feelings.
In the first sex scene, Mr. Yi used very violent means to deal with Wang Jiazhi, very violent and strong, and refused to communicate. She looks at her own camera close-up), that is, her attitude towards sex slaves is pure vent.
In the second sex scene, there were more emotional exchanges, and Mr. Yi's performance was softened, but he still had a habitual movement when looking closely at the camera. He wanted to suppress Wang Jiazhi and confirm his "lord sovereignty", and the sex position was frozen in Wang Jiazhi. In his body, like the image of a child in a mother's womb, she felt safe. When Mr. Yi heard her request for an apartment, he also touched her hair tenderly.
In the third scene, the most prominent place is Wang Jiazhi's female superior. From this posture, the refusal of the man to communicate is no longer valid, and your pleasure orgasm will be seen by the other party. In addition to this, there are also "guns" and "pillows". Guns can kill him, and pillows can kill him. In fact, Wang Jiazhi also had this idea. Of course, Mr. Yi also felt this horror, but this time The sex scene ended with no "killing".
You can almost think of it this way. It was the third sex scene that allowed Mr. Yi to establish his true trust in Wang Jiazhi, and it was only natural that two things happened next.
The first one is the "pigeon egg". Attention, everyone, the opening mahjong show, Mrs. Yi's "Old Yi, you are not willing to give it to me" diamond ring, and the diamond ring discussed with the women, are not as heavy as a pigeon egg. However, Mr. Yi gave to Wang Jiazhi. The end of the "pigeon egg" is not how valuable the pigeon egg is, but how valuable her weight is among all women.
Zhang Ailing's original work contains Wang Jiazhi's psychological description of "pigeon eggs". "There is indeed a ring exhibition on the card table, Jiazhi thought. Only she didn't have a diamond ring. She wore this jade to and from. She would have known that she would not wear it anymore. It was laughable-she couldn't even see her straight up." But it's in the movie. Wang Jiazhi did not show this, but returned the "pigeon egg" before being shot.
I personally think this is still the image of "Eternal Life Palace" called by Ang Li. After Yang Guifei, Ma Weipo, was gifted to death, she returned the hairpin box of Tang Minghuang's love on that day, and Wang Jiazhi returned the ring to Mr. Yi. Emperor Tang Ming will be hurt at the chai box in the future, what about Mr. Yi facing the ring?
And killing Wang Jiazhi, is there any hesitation in Mr. Yi's heart? Yes, the expression is the sentence "You knew it a long time ago, why didn't you tell me?" Secretary Zhang said, "Because of your relationship with Miss Wang..." This sentence is actually full of intimidation. In this sense, killing Wang Jiazhi again invoked the imagery of "Eternal Life Palace", and killing the imperial concubine was compelling.
The second thing is that Mr. Yi's vigilance ability, accompanied Wang Jiazhi to get the diamond ring, but he didn't find anything wrong.
Wang Jiazhi was flustered and looked around where the ambush was. Even Mr. Yi asked her "what's wrong?". He realized that Wang Jiazhi was wrong, but he didn't think about his own life. For the fate of Mr. Yi, how abnormal.
Therefore, in this drama, Wang Jiazhi is by no means the only starring role, and Mr. Yi is also involved.
Mr. Yi shot Wang Jiazhi and went home and sat on the bed. At this time, there are two wonderful shots in the film. One is clear. Mrs. Yi went upstairs and saw a few drops of tears in Mr. Yi’s red eyes. She was surprised to ask what happened to him. Mr. Yi adopted an evasive attitude "Go on Playing cards", the emotional communication function is once again trivial.
In addition to this "bright" lens, there is also a "hidden" lens. Mr. Yi went out and his shadow was printed on the floor. At this time, the shadow had a close-up. The shadow looked back at Wang Jiazhi's bed, silently Leave. The long twigs stand alone, hanging each other in shape and shadow, and have a profound meaning. The language of the movie is wonderful.
Zhang Ailing's "Lust Caution" is quite different from Ang Lee's "Lust Caution". Zhang's novel ends, and the wives only see Mr. Yi in a trance, but can't hold back the joyful mood.
This is Zhang's Lao La. Mr. Yi's attitude towards Wang Jiazhi's death to save his life was "She still really loves him, and is the first confidant in his life. I can't think of this encounter after middle age." (And gossip, this kind of thinking is from Hu Lancheng, and the whole "This Life and This Life" is this kind of weird idea)
Li Anzhi's "Lust Caution" is a mockery of the "so-called revolution" by "human nature".
The students’ plans to kill Mr. Yi were clumsy and ridiculous. Kwong Yumin’s politics was naive and pathetic, and those who took advantage of the students’ prominence were damned.
Li Anzhi's "Lust Caution" is a contest of "fear and eroticism".
The violence and climax of the first sex scene, the switching scene of the second sex scene is a wolf dog with an iron chain, and the third sex scene is a gun hanging by the bed and a pillow that can "smear the dead".
In the car, Mr. Yi described in Wang Jiazhi's ears who was killed by a shot, blood splashed on my shoes, and put his hand into Wang Jiazhi's panties. Wang Jiazhi came into a climax in "fear". This is another classic scene.
Li Anzhi's "Lust Caution" is a cross-correlation of "love and sex".
Ang Lee is always good at eating men and women, he is not Zhang Ailing, he has an ordinary temperature.
When the first public account of this article is back, please contact: hehua499.
View more about Lust, Caution reviews