The rhythm is relatively slow and there are not many words, but the warmth between the two pairs of father and daughter is full and touching.
But, please forgive me for not remembering a person's name. . . After thinking about it, there is one thing that I don’t understand very well. After the male lead was controlled by the bad guy who engaged in natural gas, he took the girl back to save the baby and the woman. After he came out, the woman died so worthlessly? She saw the bad guy coming out and heard the bad guy's voice. The male protagonist, carrying his daughter and girl on his back, walked in the open space without cover and heard the gunshots before turning back. They came out with the key, so why not just drive away? Driving is much safer than walking. Even if the sound of the car wakes up the bad guys, you can get rid of it when you get in the car, isn't it? It’s just that the woman’s death is very emmm plain, although she blocked the bullet for the male lead, although the bullet came from diagonally above and aimed at the male lead, although she was several meters away from the male lead and did not hug the male lead, although Even if it blocks, I don’t think it should be on the body but on the head. Forget it, I don’t think this similar triangle exists. If you count the position where the woman was shot, the bad guy would aim at the heel of the male protagonist. Woman, then, marksmanship rubbish, but I don't believe rubbish, he was very ruthless when he beat zombies, so I still think that the emmm of a woman's death is worthless, and she died for death.
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