This is imagination

Constance 2022-10-05 10:19:52

Fantastic baby! Very beautiful. The flamingo section is very similar to the section where the little mermaid and the prince are in the lake in the daughter of the sea. A few shots, the actions are all like dolphins in the sky. It reminds me of the boring eye exercises when I was a child. Just thinking about the story with the music, four paragraphs, four music, or four acts of a story, hahahahaha, it can be said that it is very similar to the creative process of this. I remember playing outside first, then it rained, but people went up to the sky with the rain, and then opened the door, and found that there were angels singing and dancing inside, and the ending seemed to be that I missed home and then wept. Tears fell to the ground like rain, picking up the person I wanted to pick up.

Now I want to have a lot of imagination when I was young

The story of New York at the beginning reminded me of the episode where the mouse enters New York City in the cat and the mouse. The selected New York elements are very similar, the subway, high-rise buildings, elevators, and colorful lights. There is also a class gap

Different classes have different worries, and in the end all their worries have been solved ingeniously. Although you know this is just a match like a little match girl that an animator can give to them, it will always be only temporary. It’s not even a temporary dream, it’s the cruel nature of this society.

I really like the workers to get up, and I am afraid that it is too late and the music is very magnificent, and the daily life is thrilling enough hahaha. Drink coffee with unemployed people, and people on the subway next to me come and go.

The story of Little Tin Soldier has been changed into a comedy, without the poignant beauty of the original story.

After reading it, I know that Disney's focus is not on the plot, but on the exquisiteness of the pictures, the imagination, the artistry of the pictures and the full and interesting telling of a simple story.

Thinking of the Cinderella watching during the holidays, the interaction of the little mouse and the fighting of the cats are very funny, including Cinderella mopping the floor. Many colorful bubbles of different sizes all reflect the figure of Cinderella mopping the floor. This picture is also very impactful. As for the story itself, it hasn't been changed much. The position is changed to add drama to the mouse and the cat...

Probably it is also the place where Disney is naive. Animals are more important than human emotions. Suitable for children to watch, adults can watch interestingly even if they want to relax their heads

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Extended Reading

Fantasia 2000 quotes

  • Bette Middler: Hi. You may not know this, but over the years, the Disney artists have cooked up dozens of ideas for new Fantasia segments. Some of them made it to the big screen this time. But others, lots of others - how could I put this politely - didn't. For example, the Danish illustrator Kay Nielsen drew these sketches for a segment inspired by Wagner's "Ride of the Valkyries." Here they are, and there they go. Now, Salvador Dali, you know, the "limp watches" guy, he got into the act with an idea that featured baseball as a metaphor for life. How come that didn't work? Makes perfect sense to me. Let's see. Then we had a bug ballet and a baby ballet and for a time, they even considered a sequence inspired by the Polka and the Fugue from Weinberger's "Schwanda the Bagpiper." But finally, a success. The Disney artists wanted to create a short film based on Hans Christian Andersen's wonderful fairy tale The Steadfast Tin Soldier, but they could never find the perfect musical match until now. Here is Yefim Bronfman playing the Shostakovich "Piano Concerto Number 2" and The Steadfast Tin Soldier.

  • Penn: [introducing "The Sorcerer's Apprentice"] Ladies and gentlemen, we'd like to take a moment, if we may, to talk about a little something we like to refer to as magic.

    Teller: [finger quotes]

    Penn: Uh, picture this. You're at home, hosting a birthday party for your daughter, and you've just shelled out 50 bucks so some pathetic loser can pull a mangy rabbit out of a flea market hat. At first, you might wonder to yourself, "How did he do that?" But then *you* would probably just dismiss it as some sort of a trick. And you know something? You'd be right! It's just a trick! It's an example of what we laughingly refer to as "stage magic." We're here to tell you that all stage magic is a fraud, a hoax, a sham. It's all based on deception and, yep, *lyin'*! All of it. Sleight of hand...

    Teller: [pulling out cards]

    Penn: Lies! Transformations?

    Teller: [pulls out an axe]

    Penn: Fraud! Dismemberment?

    Teller: [cuts a fake hand]

    Penn: Rip-off! Fake! All are illusions. What we're here to talk about is real magic. We're gonna bring out a guy now who's the real deal, the genuine article. In fact, he taught us everything we know. And he is featured prominently in the next sequence from the original Fantasia, "The Sorcerer's Apprentice." Y-You know, come to think of it, The Sorcerer's Apprentice is a - is, is a little guy who, uh - who never speaks and just kinda messes everything up...

    Teller: [cuts Penn's hair]

    Penn: [quietly] Like him. And now...

    Teller: [interrupts Penn]

    Penn: Wha - And now, the...

    Teller: [pulls out a rabbit]

    Penn: Oh. Hi. Hi, little fella. I gotta - I gotta - And now, "The Sorcerer's Apprentice."