The times stop at this moment

Osvaldo 2022-01-09 08:01:17

1963's "Heaven and Hell" well presented the gap between era after era-Kurosawa Akira's most important supporting actor Joe Shimura, which runs through almost all of Kurosawa Akira's early and mid-term movies; served in the early 1940s Fujita Jin, the hero of Virgo's "Zuji Sanshiro"; entered the line of sight in the late 1940s, and became the absolute symbol of Kurosawa Akira's movies in the 1950s and 1960s. In the late 1960s, he took over Mifune Toshiro and became the iconic figure of Kurosawa Akira's movies. Nakadai Tatsuya; Finally, there is also Yamazaki Nuru, who has just stepped into the film world and was shining in Itami thirteen movies in the 1980s.

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Extended Reading
  • Micaela 2022-03-27 09:01:14

    The Toad Master has a Hitchcock-like feel to it. The photography is dignified, and the position of the characters to the overall composition makes me feel like I'm watching a classical oil painting. Tatsuya Nakadai played a positive image and did not expect to have a strong righteous aura.

  • Wilburn 2022-03-29 09:01:06

    From the point of view of the kingdom of heaven, it is "the one who has attained the Way will help more", and from the perspective of hell, it is an inescapable despair. Is Police Fishing Enforcement Really Ethical? The emperor's filming is so charming even across the axis! In the future, all the movies that say they are "stage play style" should use the first half of it as an example, okay? It's even more handsome than "Gun Fire"! At the end, I lost the last good impression of Hirokazu Kore-eda and "The Third Killing"...

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