Xiao K's cold and forbearing performance fits the theme very well and is very good. This is also a highlight.
This is a movie about self. Assayas used a lot of pen and ink to highlight the contradictions of people. Although it made the inside a little hollow, it still couldn't cover the charm he gave me with creativity.
I am quite touched by the plot of the movie. Because Xiao K's body is shining with the shadow of my life. I often refrain from my hard-to-achieve desires. In the long run, I think I have no desires or desires, but I always unconsciously prove to myself that I have no desires or desires. We want to pursue ourselves and always complain about life, but we use all kinds of excuses to dilute these imaginations. The natural desire for ease is dormant in our nerves, leading to contradictions and often suppressing consciousness. I know that sympathizing with myself is the business of a humble coward, but I don't know what to do. Not willing to succumb to life, unwilling to let go and blaspheme fantasies, but also confined to inertia.
Due to our limited ability, we can only choose one possibility, and we must learn to give up. The role played by Xiao K wanders between the two, and as a result, his future plans fall into a stranded crisis. Although another personality kept suggesting in a spiritual tone that she could not give up on this side, what else could be done except pain? All these are shaped into her glamorous face.
The purpose of the film is to fragmentally capture the desperate sprinters in the city, magnify the color on them, and try to impress a resonant you.
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