The Godfather of Tokyo: The best Kamatsu

Emmanuel 2022-01-10 08:01:11

If Jinmin is still alive, I believe he will be a great craftsman who really changes the world's views on animation.

Hayao Miyazaki's animation reveals the dream of simplicity and flying, but it is at best a fairy tale for adults. Hosoda Mamoru's work is good-looking and enjoyable, but after all, it is no different from Disney or Pixar's family animation. As for Xin Haicheng, under his extravagant paintings, he still has a young heart who doesn't know much about storytelling. But Jin Min is the existence of an anomalous number.

The other works of Tokyo Godfather Yu Jin Min are also anomalous: Jin Min extremely restrained his iconic lens conversion and the application of montage techniques, and only told everyone in a few shots that he was the same Jin Min, and then Focusing on the narrative, he made this masterpiece of laughter and tears. Jin Min's narrative ability is first-rate, and he is good at two-line narrative, combining virtual and real. But in Tokyo Godfather, he gave up dreams and illusions, and instead told a story that took place in the streets of Tokyo. What makes people surprised is no longer the leap and switching between dreams and reality in the red pepper, and no longer the montage of thousands of years of actresses in the millennium, but the deliberately created dramatic conflicts, the clues and clues that echo back and forth. Such a structure can be called exquisite and complete, but not a miracle. Jin Min throws out some magical touches in Tokyo Godfather: the assassination of the gang boss, the rush of an ambulance into the convenience store, the reversal of the abandoned baby's identity... You will not be satisfied with a happy but slightly tired face The yawn gave a beautiful five-star, but every step is surprising and startling. This is probably the charm of the works of Tokyo Godfather and even Jinmin. If you look at what works the Godfather of Tokyo can think of, the April Fool's Day in the past few years is worth recommending. It is quite similar.

This time Jin Min focused on a group of vagrants with practical significance, a group of so-called people who have "lost their qualifications to be human." People's depravity or falling into the abyss of life, in addition to one's own indulgence, there are also a series of misfortunes in it. For such a group of people, if there is no help from outside society, they can only lie in the abyss and never stand up. Jin Min's lens depicts the real situation of the wanderers: they are discriminated against, excluded, humiliated and even looted. This is the sad state of existence of the wanderers in reality. But in this contrast, the behavior of the trio is more simple and kind. I think if you guess what the director means, it's probably that kindness is universal, and love and family affection are universal.

This is also why Tokyo Godfather will be the best Konto: it lets us know that Konto is not just a wizard in the animation industry.

View more about Tokyo Godfathers reviews

Extended Reading
  • Liana 2022-03-20 09:02:18

    I pray for a transparent heart and tearful eyes.

  • Nadia 2022-03-27 09:01:14

    ❶ I am that unlucky taxi driver. I have angels on the roof of my car. I will look down on everything in front of the crashed car, and guide you in the direction of Sachiko's escape as if nothing had happened. ❷ I don't know if the ladyboy will be pregnant, but the voice of the flower will really make you pregnant. So please put more porridge, because TA needs nutrition for two people. ❸Because it was a clear night, the child was called Qingzi. Young son cheeks, sprinkled with snow powder, clear this night. ❹He has a pair of flowers with big feet, and he looks like he is running with his hands tucked inside. ❺The aunt who was making porridge really saw the ladyboy holding the child. One second, he secretly drank the wine that the underworld boss gave to his father's grave, and the next second he was rescued from the bottom of the car. The chest is as flat as the photo; nice, big tits. At the moment of reuniting with her daughter, Banknote will laugh. The light upstairs is now a rolling eye for a while, and a street fighter's blood bar for a while. Yes, this movie is like a treasure trove, full of no-nonsense easter egg details and tight plot twists. ❻ I was the gambler who opened the door without walls and said "I'm back".

Tokyo Godfathers quotes

  • Hana: This is a Christmas present from God! She's our baby!

  • Gin: I know, I know, he's not your mommy. He's just a homeless homo.